I find this appealing in a number of ways; I especially like the idea in the first few lines, and later, the ocean's big, heaving, but non-wild breaths, which we feel as much as see. But I found myself wishing that the focus on touch (introduced at the start) had remained the focus; I didn't quite follow the shift to sound (with the "singers"). In the penultimate line, "windily and wild" works as music, but is grammatically quirky. Still, this casts a spell, as fine poetry does.
Best,
Jean
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