In a recent comment at The Deep End on Richard Wakefield’s "High Desert, Winter", Wiley Clements (Golias) applied his "Razor" to the relationship between Richard’s modifiers, verbs and nouns.
It would be of interest to me - and perhaps to other members, too - to have Wiley set out the "rules" for the use of that critical instrument.
With Tim’s permission and support, I therefore invite Wiley to describe his Razor and to set forth for us its rationale.
Clive Watkins
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