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  #1  
Unread 10-24-2001, 03:13 AM
A. E. Stallings A. E. Stallings is offline
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Halloween is around the corner, and I was thinking of the ghostly and supernatural element in poetry. Poe, of course, (but I think we all know the Raven so well, it doesn't need repeating here). There are also some great examples that are perhaps too long for this venue--I think of Burns' splendid "Tam O Shanter" , for instance. There are so many--from the serious and artistic to children's poems. Here are a few that came to my mind. Any that haunt you?

(odd lines should be indented):

The Griesly Wife

by John Manifold (b. 1915)

"Lie still, my newly married wife,
Lie easy as you can.
You're young and ill accustomed yet
To sleeping with a man."

The snow lay thick, the moon was full
And shone across the floor.
The young wife went with never a word
Barefooted to the door.

He up and followed sure and fast,
The moon shone clear and white.
But before his coat was on his back
His wife was out of sight.

He trod the trail wherever it turned
By many a mound and scree,
And still the barefoot track led on,
And an angry man was he.

He followed fast, he followed slow,
And still he called her name,
But only the dingoes of the hills
Yowled back at him again.

His hair stood up along his neck,
His angry mind was gone,
For the track of the two bare feet gave out
And a four-foot track went on.

Her nightgown lay upon the snow
As it might upon the sheet,
But the track that led from where it lay
Was never of human feet.

His heart turned over in his chest,
He looked from side to side,
And he thought more of his gumwood fire
Than he did of his griesly bride.

And first he started walking back
And then began to run,
And his quarry wheeled at the end of her track
And hunted him in turn.

Oh, long the fire may burn for him
And open stand the door,
And long the bed may wait empty:
He'll not be back any more.

OK--this one may seem silly, but it honestly used to scare the daylights out of me when it was read to me as a kid (the vagueness of the "two black things" and then, snatched through the ceiling!). I had to get this one off the web, so apologies for any textual errors:


Little Orphant Annie

by James Whitcomb Riley


Little Orphant Annie's come to our house to stay,
To wash the cups and saucers up, an' brush the crumbs away,
An' shoo the chickens off the porch , an' dust the hearth an' sweep,
An' make the fire an' bake the bread an' earn her board an' keep.

An' all us other childern, when the supper things is done,
We set around the kitchen fire, an' has the mostest fun...
A list'nin' to the witches-tales 'at Annie tells about. ......
An' the Goblins' 'at gets you ...... Ef you don't watch out.

Wunst they wuz a little boy....wouldn't say his prayers ...
An' when he went to bed at night. ... a waay upstairs..
His Mammy heerd him holler, an' his Daddy heerd him bawl,
An' when they turn't the kiv vers down, he wuzn't there at all !

They seeked him in the rafter-room, an' cubby-hole, an' press.
They seeked him up the chimbly flue, an' ever'wheres, I guess.
But all they ever found wuz jist his little pants an' roundabouts
An' the Goblins'll git YOU ... Ef You Don't Watch Out !!


They seeked him in the rafter-room, an' cubby-hole, an' press.
They seeked him up the chimbly flue, an' ever'wheres, I guess.
But all they ever found wuz jist his little pants an' roundabouts
An' the Goblins'll git YOU ... Ef You Don't Watch Out !!

An' one time there'uz a little girl 'ud allus laugh and grin,
An' make fun of her elders, an' all her blood and kin.
An' wunst when they was company, an' ole folks wuz all there,
She mocked 'em an' shocked 'em, an' said ... she didn't care !

An' jist as she kicked her heels, an' turnt to run an' hide,
They wuz twooo great big Black Things ... a-standin' by her side.
An' they snatched her through the ceilin', 'fore she knowed what she'as about,
An' the Goblins'll git YOU .... Ef You Don't Watch Out !!

An' little Orphant Annie says.... when the blaze is blue,
An' the lampwick sputters.... an' the wind goes 'wooooo'
An' you hear the crickets quit, an the moon is gray ...
An' the light'nin' bugs in dew is all squenched away ....

You better mind yer parents, an' yer teachurs fond and dear,
An' churish them 'ut love ye, an' dry the orphants' tear,
An' he'p the pore an' needy ones, 'at clusters all about ........
Er the Goblins'll git YOU .... Ef you Don't Watch Out !!


INSCRIBED WITH ALL FAITH AND AFFECTION

To all the little children: ~~ The happy ones: and sad ones;
The sober and the silent ones; the boisterous and glad ones;
The good ones ~~ Yes, the good ones, too; and all the lovely bad ones.
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  #2  
Unread 10-24-2001, 03:21 AM
A. E. Stallings A. E. Stallings is offline
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This is another poem I recently ran across in The Library of America's <u>American Poetry</u> anthologies. It is by a poet named Alice Cary (1820-1871). Her other poems didn't make much of an impression on me, but I thought this pretty nifty, especially the crocus image in stanza 3.

The Sea-Side Cave

"A bird of the air shall carry the voice, and that which hath wings shall tell the matter."

At the dead of night by the side of the Sea
I met my gray-haired enemy,--
The glittering light of his serpent eye
Was all I had to see him by.

At the dead of night, and stormy weather
We went into a cave together,--
Into a cave by the side of the Sea,
And--he never came out with me!

The flower that up through the April mould
Comes like a miser dragging his gold,
Never made spot of earth so bright
As was the ground in the cave that night.

Dead of the night, and stormy weather!
Who should see us going together
Under the black and dripping stone
Of the cave from whence I came alone!

Next day as my boy sat on my knee
He picked the gray hairs off from me,
And told with eyes brimful of fear
How a bird in the meadow near

Over her clay-built nest had spread
Sticks and leaves all bloody red,
Brought from a cave by the side of the Sea
Where some murdered man must be.
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  #3  
Unread 10-24-2001, 10:04 AM
nyctom nyctom is offline
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I love this poem though it is very long. I still think it is one of the best things Christina Rosetti ever wrote. Can you say "Holy Oral Fixation Batman!"

Goblin Market

Morning and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpeck'd cherries,
Melons and raspberries,
Bloom-down-cheek'd peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries; -
All ripe together
In summer weather, -
Morns that pass by,
Fair eves that fly;
Come buy, come buy:
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye;
Come buy, come buy."

Evening by evening
Among the brookside rushes,
Laura bow'd her head to hear,
Lizzie veil'd her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger tips.
"Lie close," Laura said,
Pricking up her golden head:
"We must not look at goblin men,
We must not buy their fruits:
Who knows upon what soil they fed
Their hungry thirsty roots?"
"Come buy," call the goblins
Hobbling down the glen.

"Oh," cried Lizzie, "Laura, Laura,
You should not peep at goblin men."
Lizzie cover'd up her eyes,
Cover'd close lest they should look;
Laura rear'd her glossy head,
And whisper'd like the restless brook:
"Look, Lizzie, look, Lizzie,
Down the glen tramp little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes."
"No," said Lizzie, "No, no, no;
Their offers should not charm us,
Their evil gifts would harm us."
She thrust a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One had a cat's face,
One whisk'd a tail,
One tramp'd at a rat's pace,
One crawl'd like a snail,
One like a wombat prowl'd obtuse and furry,
One like a ratel tumbled hurry skurry.
She heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.

Laura stretch'd her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
Like a vessel at the launch
When its last restraint is gone.

Backwards up the mossy glen
Turn'd and troop'd the goblin men,
With their shrill repeated cry,
"Come buy, come buy."
When they reach'd where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One rear'd his plate;
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heav'd the golden weight
Of dish and fruit to offer her:
"Come buy, come buy," was still their cry.
Laura stared but did not stir,
Long'd but had no money:
The whisk-tail'd merchant bade her taste
In tones as smooth as honey,
The cat-faced purr'd,
The rat-faced spoke a word
Of welcome, and the snail-paced even was heard;
One parrot-voiced and jolly
Cried "Pretty Goblin" still for "Pretty Polly;" -
One whistled like a bird.

But sweet-tooth Laura spoke in haste:
"Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
And all my gold is on the furze
That shakes in windy weather
Above the rusty heather."
"You have much gold upon your head,"
They answer'd all together:
"Buy from us with a golden curl."
She clipp'd a precious golden lock,
She dropp'd a tear more rare than pearl,
Then suck'd their fruit globes fair or red:
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flow'd that juice;
She never tasted such before,
How should it cloy with length of use?
She suck'd and suck'd and suck'd the more
Fruits which that unknown orchard bore;
She suck'd until her lips were sore;
Then flung the emptied rinds away
But gather'd up one kernel stone,
And knew not was it night or day
As she turn'd home alone.

Lizzie met her at the gate
Full of wise upbraidings:
"Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers
Pluck'd from bowers
Where summer ripens at all hours?
But ever in the noonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew grey;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago
That never blow.
You should not loiter so."
"Nay, hush," said Laura:
"Nay, hush, my sister:
I ate and ate my fill,
Yet my mouth waters still;
To-morrow night I will
Buy more;" and kiss'd her:
"Have done with sorrow;
I'll bring you plums to-morrow
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead
Whereon they grow, and pure the wave they drink
With lilies at the brink,
And sugar-sweet their sap."

Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down in their curtain'd bed:
Like two blossoms on one stem,
Like two flakes of new-fall'n snow,
Like two wands of ivory
Tipp'd with gold for awful kings.
Moon and stars gaz'd in at them,
Wind sang to them lullaby,
Lumbering owls forbore to fly,
Not a bat flapp'd to and fro
Round their rest:
Cheek to cheek and breast to breast
Lock'd together in one nest.

Early in the morning
When the first cock crow'd his warning,
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetch'd in honey, milk'd the cows,
Air'd and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churn'd butter, whipp'd up cream,
Fed their poultry, sat and sew'd;
Talk'd as modest maidens should:
Lizzie with an open heart,
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day's delight,
One longing for the night.

At length slow evening came:
They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep;
Lizzie pluck'd purple and rich golden flags,
Then turning homeward said: "The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags.
No wilful squirrel wags,
The beasts and birds are fast asleep."
But Laura loiter'd still among the rushes
And said the bank was steep.

And said the hour was early still
The dew not fall'n, the wind not chill;
Listening ever, but not catching
The customary cry,
"Come buy, come buy,"
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling;
Let alone the herds
That used to tramp along the glen,
In groups or single,
Of brisk fruit-merchant men.

Till Lizzie urged, "O Laura, come;
I hear the fruit-call but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glowworm winks her spark,
Let us get home before the night grows dark:
For clouds may gather
Though this is summer weather,
Put out the lights and drench us through;
Then if we lost our way what should we do?"

Laura turn'd cold as stone
To find her sister heard that cry alone,
That goblin cry,
"Come buy our fruits, come buy."
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life droop'd from the root:
She said not one word in her heart's sore ache;
But peering thro' the dimness, nought discerning,
Trudg'd home, her pitcher dripping all the way;
So crept to bed, and lay
Silent till Lizzie slept;
Then sat up in a passionate yearning,
And gnash'd her teeth for baulk'd desire, and wept
As if her heart would break.

Day after day, night after night,
Laura kept watch in vain
In sullen silence of exceeding pain.
She never caught again the goblin cry:
"Come buy, come buy;" -
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon wax'd bright
Her hair grew thin and grey;
She dwindled, as the fair full moon doth turn
To swift decay and burn
Her fire away.

One day remembering her kernel-stone
She set it by a wall that faced the south;
Dew'd it with tears, hoped for a root,
Watch'd for a waxing shoot,
But there came none;
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dream'd of melons, as a traveller sees
False waves in desert drouth
With shade of leaf-crown'd trees,
And burns the thirstier in the sandful breeze.

She no more swept the house,
Tended the fowls or cows,
Fetch'd honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook
And would not eat.

Tender Lizzie could not bear
To watch her sister's cankerous care
Yet not to share.
She night and morning
Caught the goblins' cry:
"Come buy our orchard fruits,
Come buy, come buy;" -
Beside the brook, along the glen,
She heard the tramp of goblin men,
The yoke and stir
Poor Laura could not hear;
Long'd to buy fruit to comfort her,
But fear'd to pay too dear.
She thought of Jeanie in her grave,
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest winter time
With the first glazing rime,
With the first snow-fall of crisp winter time.

Till Laura dwindling
Seem'd knocking at Death's door:
Then Lizzie weigh'd no more
Better and worse;
But put a silver penny in her purse,
Kiss'd Laura, cross'd the heath with clumps of furze
At twilight, halted by the brook:
And for the first time in her life
Began to listen and look.

Laugh'd every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel- and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter skelter, hurry skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes, -
Hugg'd her and kiss'd her:
Squeez'd and caress'd her:
Stretch'd up their dishes,
Panniers, and plates:
"Look at our apples
Russet and dun,
Bob at our cherries,
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
Pears red with basking
Out in the sun,
Plums on their twigs;
Pluck them and suck them,
Pomegranates, figs." -

"Good folk," said Lizzie,
Mindful of Jeanie:
"Give me much and many: -
Held out her apron,
Toss'd them her penny.
"Nay, take a seat with us,
Honour and eat with us,"
They answer'd grinning:
"Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry:
Half their bloom would fly,
Half their dew would dry,
Half their flavour would pass by.
Sit down and feast with us,
Be welcome guest with us,
Cheer you and rest with us." -
"Thank you," said Lizzie: "But one waits
At home alone for me:
So without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I toss'd you for a fee." -
They began to scratch their pates,
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One call'd her proud,
Cross-grain'd, uncivil;
Their tones wax'd loud,
Their look were evil.
Lashing their tails
They trod and hustled her,
Elbow'd and jostled her,
Claw'd with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soil'd her stocking,
Twitch'd her hair out by the roots,
Stamp'd upon her tender feet,
Held her hands and squeez'd their fruits
Against her mouth to make her eat.

White and golden Lizzie stood,
Like a lily in a flood, -
Like a rock of blue-vein'd stone
Lash'd by tides obstreperously, -
Like a beacon left alone
In a hoary roaring sea,
Sending up a golden fire, -
Like a fruit-crown'd orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee, -
Like a royal virgin town
Topp'd with gilded dome and spire
Close beleaguer'd by a fleet
Mad to tug her standard down.

One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuff'd and caught her,
Coax'd and fought her,
Bullied and besought her,
Scratch'd her, pinch'd her black as ink,
Kick'd and knock'd her,
Maul'd and mock'd her,
Lizzie utter'd not a word;
Would not open lip from lip
Lest they should cram a mouthful in:
But laugh'd in heart to feel the drip
Of juice that syrupp'd all her face,
And lodg'd in dimples of her chin,
And streak'd her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
Flung back her penny, kick'd their fruit
Along whichever road they took,
Not leaving root or stone or shoot;
Some writh'd into the ground,
Some div'd into the brook
With ring and ripple,
Some scudded on the gale without a sound,
Some vanish'd in the distance.

In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore thro' the furze,
Threaded copse and dingle,
And heard her penny jingle
Bouncing in her purse, -
Its bounce was music to her ear.
She ran and ran
As if she fear'd some goblin man
Dogg'd her with gibe or curse
Or something worse:
But not one goblin scurried after,
Nor was she prick'd by fear;
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.

She cried, "Laura," up the garden,
"Did you miss me?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, suck my juices
Squeez'd from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me;
For your sake I have braved the glen
And had to do with goblin merchant men."

Laura started from her chair,
Flung her arms up in the air,
Clutch'd her hair:
"Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden,
Your young life like mine be wasted,
Undone in mine undoing,
And ruin'd in my ruin,
Thirsty, canker'd, goblin-ridden?" -
She clung about her sister,
Kiss'd and kiss'd and kiss'd her:
Tears once again
Refresh'd her shrunken eyes,
Dropping like rain
After long sultry drouth;
Shaking with aguish fear, and pain,
She kiss'd and kiss'd her with a hungry mouth.

Her lips began to scorch,
That juice was wormwood to her tongue,
She loath'd the feast:
Writhing as one possess'd she leap'd and sung,
Rent all her robe, and wrung
Her hands in lamentable haste,
And beat her breast.
Her locks stream'd like the torch
Borne by a racer at full speed,
Or like the mane of horses in their flight,
Or like an eagle when she stems the light
Straight toward the sun,
Or like a caged thing freed,
Or like a flying flag when armies run.

Swift fire spread through her veins, knock'd at her heart,
Met the fire smouldering there
And overbore its lesser flame;
She gorged on bitterness without a name:
Ah! fool, to choose such part
Of soul-consuming care!
Sense fail'd in the mortal strife:
Like the watch-tower of a town
Which an earthquake shatters down,
Like a lightning-stricken mast,
Like a wind-uprooted tree
Spun about,
Like a foam-topp'd waterspout
Cast down headlong in the sea,
She fell at last;
Pleasure past and anguish past,
Is it death or is it life?

Life out of death.
That night long Lizzie watch'd by her,
Counted her pulse's flagging stir,
Felt for her breath,
Held water to her lips, and cool'd her face
With tears and fanning leaves:
But when the first birds chirp'd about their eaves,
And early reapers plodded to the place
Of golden sheaves,
And dew-wet grass
Bow'd in the morning winds so brisk to pass,
And new buds with new day
Open'd of cup-like lilies on the stream,
Laura awoke as from a dream,
Laugh'd in the innocent old way,
Hugg'd Lizzie but not twice or thrice;
Her gleaming locks show'd not one thread of grey,
Her breath was sweet as May
And light danced in her eyes.

Days, weeks, months, years
Afterwards, when both were wives
With children of their own;
Their mother-hearts beset with fears,
Their lives bound up in tender lives;
Laura would call the little ones
And tell them of her early prime,
Those pleasant days long gone
Of not-returning time:
Would talk about the haunted glen,
The wicked, quaint fruit-merchant men,
Their fruits like honey to the throat
But poison in the blood;
(Men sell not such in any town):
Would tell them how her sister stood
In deadly peril to do her good,
And win the fiery antidote:
Then joining hands to little hands
Would bid them cling together,
"For there is no friend like a sister
In calm or stormy weather;
To cheer one on the tedious way,
To fetch one if one goes astray,
To lift one if one totters down,
To strengthen whilst one stands."
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  #4  
Unread 10-24-2001, 12:46 PM
Richard Wakefield Richard Wakefield is offline
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Alicia:
My apologies in advance for dragging this thread a bit out of its groove, and I hope my comments don't bring the whole cathedral crashing down on my head. "The Griesly Wife" is indeed a spooky poem. It works just fine on its surface. To me, part of what's spooky is its barely submerged sexual theme. This is the dark side of the male fantasy of initiating a virgin into eroticism, or maybe the spooky part of what is, to men, the mystery of women's sexuality. There's this elemental power that is fascinating and frightening. (I guess I should apologize to D. H. Lawrence for this!) My point is that scary things touch something unspoken, even unacknowledged, and that poem does.
RPW
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  #5  
Unread 10-25-2001, 03:11 AM
A. E. Stallings A. E. Stallings is offline
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Richard--

Am only too happy to have comments on the ones I posted. Yes, I agree, there is a lot going on under the surface of the Griesly Wife--sexuality, violence (his exhortations to "lie easy" and "still" suggest to me that she is struggling), animal nature. The full moon also features in there, I think, as an allusion to female cycles & sexuality--but also to Artemis the virgin hunting goddess. (And this story shares a lot with Artemis myths--where people are often turned into wild beasts, or men ripped limb from limb by them, and always for a sexual transgression.) I also like the way he has cast it as a traditional ballad, with the rough edges, etc., to seem "authentic". And the exotic (to me) touches of the Australian landscape--the dingoes--make it even spookier. Thanks for making me think more about this poem. It really does become more and more fascinating as I read it.

Nyctom--

Thanks for posting that one! It also makes me think of Mew's "The Changeling," which I think has been featured here before.
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  #6  
Unread 10-25-2001, 03:35 AM
Tim Murphy Tim Murphy is offline
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We're having full blizzard here, and the lilacs spent the night trying to claw their way into the house. Made me think of Frost's "The Hill Wife," which we endlessly discussed here some months ago. Now that's a scary poem.
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Unread 10-25-2001, 09:00 AM
Jim Hayes Jim Hayes is offline
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I hope I'll be forgiven for presuming to post a piece of my own following such august offerings above. Though this lacks a certain subtlety, it was quite effective in keeping my own kids quiet;

The McGrumps Ball

Invitations were sent when McGrumps threw a ball
to gargoyles and goblins and ghouls: come you all,
to deaths heads that rattled their chains in their tombs,
to wicked old witches disporting on brooms.

The invites said plainly, please R.S.V.P.
meaning Reptiles like Snakes were all welcome to be
with the Vampires and Poltergeists packed in the hall
when the band began playing The Dead March from Saul.

Witches’ familiars were welcomed, as well
as cloven foot devils from Lucifer’s hell,
and a ghost with her head in her hand was escorted
by a skull faced chimpanzee that shreiked and cavorted.

How rare was the fare that they had for hor d’oeuvers
cold carrion cuts with sweet offal preserves,
and flambe of leeches that died of disease,
followed by rat a la bubonic fleas.

The McGrumps had a cellar they’d built over ages,
with type A and type O of the finest vintages;
somalier decanted through portable drips,
for ease of consumption by those with no lips.

At the height of the ball the Grim Reaper was flailing;
to the beat of the band all the Ban-Shees were wailing;
tomb stones burst open and corpses unhoused
the night the McGrumps and their cronies caroused.

Until the first rays of the oncoming day,
as the horrors of Hades all shuffled away
then Grandpa McGrump smiled at Grandma and said,
“if we can’t have some fun, what’s the use being dead?”

Jim




[This message has been edited by Jim Hayes (edited October 26, 2001).]
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Unread 10-25-2001, 09:50 AM
A. E. Stallings A. E. Stallings is offline
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I was hoping we'd here from Jim on this one! Cute! (Though I can't get "ague" to rime with "plague"--I say it to rime with "plague you". Maybe am wrong?)
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Unread 10-25-2001, 10:23 AM
Alan Sullivan Alan Sullivan is offline
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This may require adjudication at The Hague (or else in Prague).

I loved "The Griesly Wife," which was new to me. Do you know anything about the poet, Alicia?

A.S
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Unread 10-25-2001, 10:53 AM
A. E. Stallings A. E. Stallings is offline
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I'm glad you liked it, Alan. I guess I've been familiar with the poem a long time, since it was in a high school text book of mine (Sound and Sense). And perhaps I've run into it in anthologies. I know nothing about the poet except his birth date and that he is Australian. A quick search on the internet turned up nothing except a site on Australian folk musicians. Maybe this was originally set to music? (That would be interesting.) Also, I guess I should note, "griesly" means "uncanny." Though "griesly" is, well, grieslier.
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