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  #1  
Unread 08-29-2006, 05:38 AM
Peter Coghill Peter Coghill is offline
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Default Best Australian Poetry andStephen Edgar

Perusing Best Australian Poetry 2006 editted by Judith Beveridge I came across the following poem by Stephen Edgar
which won the Australian Review of Books best poem in 2005
(to show that there is some appreciation of formal poetry in Australia after all). For interest 2 of the 40 poems were formal.

Man on the Moon

Hardly a feature in the evening sky
As yet—near the horizon the cold glow
Of rose and mauve which, as you look on high,
Deepens to Giotto’s dream of indigo.

Hardly a star as yet. And then that frail
Sliver of moon like a thin peel of soap
Gouged by a nail, or the paring of a nail:
Slender enough repository of hope.

There was no lack of hope when thirty-five
Full years ago they sent up the Apollo—
Two thirds of all the years I’ve been alive.
They let us out of school, so we could follow

The broadcast of that memorable scene,
Crouching in Mr Langshaw’s tiny flat,
The whole class huddled round the TV screen.
There’s not much chance, then, of forgetting that.

And for the first time ever I think now,
As though it were a memory, that you
Were in the world then and alive, and how
Down time’s long labyrinthine avenue

Eventually you’d bring yourself to me,
With no excessive haste and none too soon—
As memorable in my history
As that small step for man onto the moon.

How pitiful and inveterate the way
We view the paths by which our lives descended
From the far past down to the present day
And fancy those contingencies intended,

A secret destiny planned in advance
Where what is done is as it must be done
For us alone. When really it’s all chance
And the special one might have been anyone.

The paths that I imagined to have come
Together and for good have simply crossed
And carried on. And that delirium
We found is cold and sober now and lost.

The crescent moon, to quote myself, lies back,
A radiotelescope propped to receive
The signals of the circling zodiac.
I send my thoughts up, wishing to believe

That they might strike the moon and be transferred
To where you are and find or join your own.
Don’t smile. I know the notion is absurd,
And everything I think, I think alone.

To my way of thinking IP with a great deal of gravitas and the radiotelescope metaphor is a beauty. The following website http://members.dodo.com.au/~ghannah/edgaros.html
contains, if you scroll down, a detailed critique by another Australain poet of formal tendencies of another rather good poem from Stephen Edgar's latest book. clivejames.com alsohas 10 of his poems in the poetry section.
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  #2  
Unread 08-29-2006, 08:37 AM
Janet Kenny Janet Kenny is offline
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Peter,
How the hell does one break into this magic casement? I actually had a fiction agent for a while but she's retired. Agents aren't reading manuscripts either. The" New Yorker" is more open than these people.

Janet
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  #3  
Unread 08-29-2006, 04:38 PM
Peter Coghill Peter Coghill is offline
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Firstly you're asking the wrong person, I've had one poem accepted, not yet published, in Meanjin, the magazine J Beveridge edits (it was in blank verse), thats my poetry career. For the best of Australian Poetry series they just send down a years worth of all the standard magazines to the guest editor Heat, Meanjin, Quadrant, ABR, Southerly, Westerly etc and the poor sod picks 40 odd while trying to remain sane.

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  #4  
Unread 08-29-2006, 05:20 PM
Janet Kenny Janet Kenny is offline
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Peter,
Unless one is rich all those journals cost a fortune in subscriptions and where I live now there is no other way to see them. I fear most of them. I joined the poets' union but found it wasn't my thing. I look at Quadrant in newsagents and even buy one occasionally but its politics give me the horrors.

I've had poems published quite a bit outside Australia but have become very despondent about trying the local scene which seems like a closed circle.
Janet
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  #5  
Unread 08-29-2006, 05:51 PM
Peter Coghill Peter Coghill is offline
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I can understand the feeling of closed circle. I live in Sydney, but with the day job its hard for me to get around and meet anyone or readings etc. I guess I'll have to exert myself a bit more. Being a poetic baby compared to you (trying to write for about 2 years)I haven't any history yet of interactions, except one positive one with J Beveridge, I went to a seminar of hers, which prompted my submission to Meanjin.

The reason I bought the "Best" anthology is to save me subscribing and reading articles I'm not the least bit interested in on why K Windshuttle is a genius in Quadrant or equally annoying stuff from the other direction.

I posted the poem and link because I thought they were rather good and not the sort of thing you think of in contemporary Australian poetry.

The rest of the publication has some interesting stuff, all in free verse obviously. Often when I read these things I get the feeling great idea for a poem but what about some memorable language. Australian poetry seems to be into the intellectual content alot. This time I thought there were a few other memorable poems. One from Dorothy Porter in her clipped lines about the street of her childhood that stuffs in alot of great images and another by a Judith Bishop, who seems to be an up and comer, addressing a rabbit running from a hawk. This poem while being a bit fuzzy contained some memorable long lines.
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  #6  
Unread 08-29-2006, 06:56 PM
Janet Kenny Janet Kenny is offline
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Peter,
When I lived in Sydney I still didn't manage to find a poetry niche. I didn't drive until recently and lived on the north shore. I met some of the stars incidentally through other activities but none of them knew that I wrote poetry and in fact, I didn't like very much of their work. Because I'm a retired stage performer I find poetry readings a bit of a strain and certainly not worth a fairly hair raising journey across Sydney in the dark, I'd have had to go alone as such gatherings are my husband's idea of hell.

My impression of the winning poem is that it is deep and interesting but the rhymes are not very well handled. I'll read it more slowly as soon as I can make the time. I would love to find that there is some hope after all.
Thanks for posting this. I'll buy a copy of the book.
Janet

PS: I love the poem in the link you posted. I might just buy that Stephen Edgar book instead.

[This message has been edited by Janet Kenny (edited August 29, 2006).]
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  #7  
Unread 09-03-2006, 11:11 PM
Henrietta kelly Henrietta kelly is offline
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http://www.bushpoetry.com.au/

this is where you will come across most of the very best Janet. I once spent weeks sparing in rime with frank, long time ago now

love that last line of that poem–
(And everything I think, I think alone)
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  #8  
Unread 09-04-2006, 08:14 PM
Jerry Glenn Hartwig Jerry Glenn Hartwig is offline
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Hmmm...

Henrietta, I've always thought we had the very best of the Aussie poets here.

After reading some those war poems, I'm now convinced of it *grin*.

And exactly what were you sparing over there?



[This message has been edited by Jerry Glenn Hartwig (edited September 04, 2006).]
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  #9  
Unread 09-04-2006, 09:36 PM
Carol Taylor Carol Taylor is offline
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Man on the Moon is wonderful. A formal poem has to be darn good to win out over all the rest in spite of being formal. I'm assuming a predilection to free verse if only 2 of the 40 finalists were formal.

Carol
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  #10  
Unread 09-04-2006, 11:11 PM
Janet Kenny Janet Kenny is offline
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Carol,
I agree with you. My first reading was shamefully rushed and perfunctory. I've ordered his book.
Janet
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