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Flutter: A Federal Gothic   

     


by Alan Cheuse

 

     

 

 

                      

        

             

   

                      

 

 


 

  


 

     


   

      

        Walking along K Street, he allowed himself to be carried along with the necessities of the day—a wire to a certain place, a file he had to study and write about in a certain way. At the entrance to the building he slowed down and considered the day to come, looking up and down the street like a man who expected someone to catch up with him, or a man who feared he might have been left behind. Then into the building, showing his ID to an indifferent guard. A moment later he stood alone in an ascending elevator car staring at his distorted image in the security mirror in the upper rear right corner of the ceiling. It made him appear odd and angular about the face and shoulders.
        Morning, said the guard at the entrance to the floor. Winston Smith, his name tag said.
        Jenkins nodded, showed his ID again—every morning a different guard but the same cheerful inflection in the greeting—and if the guard hadn't seemed so interested in studying his ID so carefully, Jenkins would have felt as though they had got wind of something.
        Yes, sir, Winston Smith said, turning sideways in order to punch the code into the door lock. The door to the suite swung open.
        Jenkins stepped in.
        Good morning, Warren, the secretary said from behind her desk, her face a mass of pinkish carbuncles.
        Good morning, Lydia, Jenkins said. I always think I'm early. But here you are.
        Can't get ahead of Lydia is what I say.
        Well, sir, she said, touching a finger to one of her desolate cheeks.
        Fenton in yet?
        Oh, yes, sir, you're not anywhere near as early as you think.
        He felt his stomach do a little flip, as though his breakfast hadn't really settled yet.
        Anything...? he said.
        She leaned forward in her chair and said in a voice that sank almost to a whisper,
        Pete got a message.
        Oh?
        News is there's no news.
        Jenkins released from his lungs air he hadn't been aware he had been holding in.
        So there's still a chance.
        You didn't hear it from me.
        I better go in, he said.
        Was she a sly woman? He had never thought of her that way, but now a smile he could only describe as sly passed across her ruined face.
        You'd better.
        Something in her voice kept him rooted to the spot.
        I'd better?
        Get it over with.
        Get what over with?
        Your day.
        It's just begun, Lydia?
        Finish it.
        I'm considering it.
        There's always more.
        You're so cryptic, Lydia. You should work for a secret agency.
        I've thought of it, the secretary said, touching a finger once to her pitted forehead.
        I'm off then, Jenkins said and flashed her a weak smile before passing her desk and heading along the inner corridor. The door to the Cell was shut—which meant that either no one was in there or that they were already at work. Even after all these months he had to catch himself from stopping at the door to listen for some kind of sound from within.
        Fenton stepped out into the corridor just ahead.
        Jenkins?
        Good morning. Jenkins' eyes darted down to his shoes. So strange. It was as if he could tell that something was going to happen seconds before there was any indication whatsoever. Unless it was Fenton's voice.
        Come in now, the man said.
        As soon as he walked through the door, Jenkins understood. A tall man in a white shirt stood alongside Fenton's work-table. On the table sat some sort of apparatus with gauges and wires and a sort of antenna.
        Oh, Jenkins said.
        Sit down, Fenton said.
        Yeah, make yourself comfortable, the other man said.
        Jenkins looked over at the wall-size mirror that fooled nobody with its seemingly ordinary appearance. He had stood on the other side of it and watched other men move about this very room, though he never thought he would be standing here in this fashion one day himself.
        Now, said the man in the white shirt, sit down.
        Jenkins looked over at Fenton.
        Sit, Fenton said, going to the door and pulling it shut.
        It went quickly, thirty minutes or so with a cuff from the machine wrapped around his bare arm, and then he was free and standing again, his forehead dripping with sweat, turning his eyes around the spinning room.
        Go, Fenton said, opening the door.
        Jenkins went along the corridor to his own office and used the code to open the door. He sat down behind his desk with a jarring thud and looked around almost to apologize. He hadn't meant to make such a racket. Turning toward his window he allowed numbers and questions to proliferate in his head. A grey-bodied pigeon stared back at him from the ledge, unknowing of his predicament. With a flutter of wings, it departed, leaving him behind to stare at large white clouds hovering above the monuments, clouds so still that they might have been pasted onto the pale blue backdrop of the sky.
        The telephone chirped.
        I want you to cool off, Fenton said over the line. Take a walk around the block.
        What?
        I don't like this any more than you do. Take a walk around the block.
        Cool off. I shouldn't say that but I'm saying it.

        This is how he found himself walking east on K Street, effecting what he took to be the gait of a man in control. But his breath came up short and his mind was whirling.
        Passers-by moved alongside him toward the corner. An Asian woman in a business suit glanced at him—never happened before. Jenkins turned his face away and edged off toward the curb so that when the light changed he made his move, a few paces ahead of her. When he looked back she was gone.
        Or was that the woman walking far down the block in a southerly direction?
        Her dark body bobbed upon the horizon. The White House loomed ahead of her. Jenkins swallowed hard and turned around, his heart working like the engine of a car in trouble.
        A Fed Ex van rolled slowly along the service road. On the right a man lingered in the doorway of a copy shop. The van pulled in to an illegal space on the roadway just ahead of him and he could hear the engine ticking as it cooled. At the entrance to a bar he turned into the doorway, walking directly past the blonde woman writhing naked on the little stage.
        So we'll go no more a-rovin, he said to the stick-thin black man with the shaved head who stood guard at the fire exit.
        The man reacted as though he had been hit by a pea from a pea-shooter but recovered instantly and handed Jenkins a set of keys.
        You? said a white boy with shoulder-length brown hair leaning against the wall of the alley.
        So late into the night, Jenkins said.
        Sword and sheathe, man, the fellow said. He touched a finger to a gadget in the palm of his hand and locks clicked open on a black auto parked further down the alley. Jenkins went to the car and climbed into the driver's seat, started it up, and drove onto the street.
        It was not yet full summer, but in the time since he had arrived at the office and then departed, the heat had risen and the air seemed to have filled with particularates which made for waving and weaving odd lines of force outside the windshield. Jenkins didn't have an easy time steering the car because of this. His mind wavered with the patterns in the air, and he was amazed by this, amazed at what fear could do to a person's vision. No matter how much he tried to stop thinking about it, pieces of the plan kept rising to the surface of his mind, but he managed to muster enough of his training to push them down.
        Crossing the river, he caught a last ironic glimpse of the massive figures and animals standing guard at either side of the bridge, huge equine haunches and beautifully enormous breasts.  Rolling around the traffic circle on the Virginia side and doubling back toward the airport, Jenkins watched carefully for the road he had never taken except in fantasies about escape. When it came up—the name of Lyndon Johnson, of all people, on the sign—he felt his breath quicken and he had to calm himself—calm yourself, calm yourself—in a way he had not found possible when Fenton had overseen the administration of the flutter.
        He pulled the car over onto the grass and got out. Soft earth underfoot. Thin spindles of morning mist rose into the air just beyond the trees where the water began.
        One foot after another, and he thought that he might just step on down through the ground cover and into the world beneath where lived giant worms and moles and other varieties of danger. With a few shakes of his head, he put such fears behind him—or beneath—and stepped out onto the wooden dock.

  
Page 3 - Flutter: A Federal Gothic

 

 

        

 
 
 

 

 

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