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[Cross-posted with Andrew]
Mark, you make some compelling arguments. However, even if a poet were to imagine Emily Dickinson signing a media release form in addition to consenting to the encounter itself, the problem of an intensely private person's consent remains. The poet's power to imagine away any objections she might make still removes Emily's free will from the equation. I don't see how things would be any different if the person whose intimacy and privacy were being violated were Gerard Manley Hopkins. On RPF Poems about Sex with Emily Dickinson Writing from a rapist’s point of view is challenging. To prove that you can do it, you must be strong, and force the victim through it while readers fail to empathize with you. It’s better to insist the rendezvous is not a rape. That’s easy—nothing to it. Just claim the victim loves it. Or say, “Screw it, it’s just a fantasy. It isn’t true.” It’s just a harmless exercise in fiction. In fighting censorship and slippery slopes. In freedom of expression. In the art of making art. In pushing envelopes. In breaking every fetter and restriction except the one that's hindering your heart. RPF = Real person fantasy, a genre similar to fan fiction. Tweaks: Title was "Celebrity Sex Poem" L1 had "the rapist's" L3 was "your fortitude must force the victim through it" L14 was "except the one that's cutting off your heart" |
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Good poem, Julie. Your mention of fiction in it reminds me of the phenomenon of fan fiction, in which such fantasies are rampant, though I guess those are mainly focused on invented characters rather than on actual people. That element takes some of the sting out of it, though I think the original author would still have a case that his or her intellectual property is being appropriated against his or her will.
Susan |
Well. My apologies for starting the thread. I should have listened to the person who told me to delete it.
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