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Now that, Roger, is very clever.
Wish I'd thought of it. |
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Free verse? Come on, it’s anything but free!
As though to compensate for lack of rhyme, It’s fettered by a drab obscurity. As though to compensate for lack of rhyme, The authors of this dismal stuff pretend That their absurdity is quite sublime. It’s fettered by a drab obscurity That, frankly, drives this reader round the bend - You say it’s just my immaturity? Not so! For me, it’s all a massive con; I’m surely not the only one to see The Emperors have no clothes - they’re bare as mice When form and rhyme and metre all have gone. Although such poetry’s described as ‘free’, It isn’t even worth the asking price. |
Oh free-verse poets, have you folks no shame?
Are you moronic, ignorant, obtuse, foolish, thick and dim, or should we blame an evil purpose? What is your excuse? Whence the gumption whereby you discard long centuries of usage and tradition? Might it be simply that to rhyme is hard? Or do you want for genuine ambition? Why, if rhyme and meter suited Blake, Shakespeare, Keats, Rossetti and Millay, have you concluded poets must forsake these tools to say the things that they should say? Just where exactly did you folks get lost? Your verse is free, but do you know the cost? |
He dreams of freedom
Since his wife left, he has more time for crosswords
and Sudoku. He’s pretty good at puzzling out solutions when the rules are well defined. He writes poetry too. Free verse? “A cultural cul-de-sac,” he tries to mumble with derision, but his mouth’s too full of nipple; he’s nursing at the geometric breast of Mother Form. Surely she will always keep him safe? He clings on tighter still and shuts his eyes. But sometimes, late at night, he longs to experiment with line breaks; he imagines only using words that say exactly what he feels, not just those that fit and rhyme and scan. But these are wicked thoughts. He ties himself up with metres of the roughest rope, the most elaborate of knots; he beats himself and begs forgiveness at the metric feet of the Dominatrix of Form. Asleep, he dreams he escapes from a prison; he runs wild and free across open countryside until panic overwhelms him. He wakes screaming for a map, gets up and checks on all the locks. |
In his repetend nightmare,
he virelayed down the enjambment, dropping his epode while he fled from lions-o’-rhymed-tales that beat quatrains into migraines. He nearly went into anapaestic shock when spondees scanned him, peeking into his pyrrhic; trochees tried to truncate his epistle; and iambs elisioned him, (with a pterrordactyl as guard doggerel), after he fell in the distich, tropping – over his own feet. It was awdl! One day he’d escape in a syntaxi, find caesura, catalect himself and wake up entirely vers libre! |
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