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Recently John Isbell and I have been discussing poems inspired by music, so I thought I'd revisit this thread. It's great! Thanks for all the contributions :)
This sonnet turned out a bit F&F (friends and family). I'm popping it here for now, but I'll think about reworking it at some stage. I've had a few F&F poems published, I suppose. Music: Fauré, 'Sanctus' Sanctus "Goodbye, our little saint." Note in Tats' cardboard coffin, 27th September 1996 Beside my bed that night, I knelt to pray for Tats the guinea pig, my favourite pet; the twinging in my knees just brought dismay and tears upon the rose-print coverlet. I wanted to believe that God was good and might take pity on my poorly boy; my body wasn't working as it should – I often thought I was a devil's toy. But in the blurry light at 6 o'clock, I knew that Tats had died yet something stirred in collared dove duets, the scent of stock beneath my window, and a voice, a word: Sanctus. I went to Tats and hugged him tight then bathed him one last time. The final rite. https://i.imgur.com/G73YaAM.jpeg G.R. Teague, 'Tats with Mum' |
Hi Fliss,
That's a sad poem but a good memorial. I'm glad you posted it with the photo to accompany it. Cheers, John |
Thanks, John; I think this one's set for the guinea-MS, as encouraged by the people of Winchcombe, lol. And thanks for appreciating Graham's photo of dear Tats. He (Tats) actually won first prize at the Winchcombe Pet Show in 1995, which earned him a red rosette and his picture in the local paper. He had such a sweet nature, the judges all fell in love with him 🥰
Best wishes, Fliss |
Well done Tats!
Cheers, John |
"Thanks, John!" squeaks spirit-Tats, dear fellow 🥰
Here's another that turned out a bit F&F, lol. I composed it on Easter Monday, having been in Winchcombe on the Sunday. Music: J.S. Bach (arr. L. Stokowski), 'Sheep May Safely Graze' Safe The ewes and lambs are grazing, safe, I think and hope, in fields beside my childhood home. Their bleating sounds content, a way to sing at Easter, giving thanks. And now they roam towards the small yet sturdy hazel hedge that separates their pasture from the lane. One mother pauses, lifts her woolly head as if to smell the April air for rain or watch for something circling in the skies: a buzzard, maybe. But the sun is strong and only peaceful pigeons saunter by, the flock from Abbots Leys, in silver throng above the rippling grass, the greening trees – and then, an upturned fork. The mobile mast. I see it poised to spear the sheep, the fields, tune up the building band. I hear a Blast! but that's just Dad, not demolition nor development. His boots are tight and chafe. A blip – we'll sort it out. The sheep graze on; for now, at least, they’re here and they are safe. https://i.imgur.com/V0AyJJV.jpeg E.F. Teague, 'F. leaning on fence' |
Hi FLiss,
I like poem, photo, and the news the sheep are safe. Here meanwhile is a musical poem of mine, based on a dream I had in which Shakespeare's "It Was a Lover and His Lass" somehow melded with Robinson Crusoe. Here's the poem: It Was a Lover and His Lass Was it a dream, where Robinson in tears sings Shakespeare on the beach – while Friday stands as if the palm trees and the shifting sands are of his essence? For it has been years since shipwreck on this island. As he sings, he carols, dancing in the rags that still mark him as English. In the ding-a-dings, the nonny-nos, as if a windowsill looked out upon a garden, he can see the life now taken from him. And the salt tears run down his tan cheeks. Progressively his bare feet print the sand, in an assault like the salt waves that mark this barren shore. Now, it is very bitter to look back on what is lost forever. Nevermore will he dance with his fellows. There’s no track across the sea to Albion. A man can only dream, as I have. It may be that he might sing and dance. For in God’s plan stands happiness. And green fields. The salt sea. And here's the madrigal sung by Peter Pears: https://www.youtube.com/watch?v=1K2iC4zHyys CHeers, John |
Hi John,
Hooray! I'm glad you like all the sheepy stuff. Thanks for sharing your dream-poem, which I enjoyed reading in between work tasks earlier today. You probably don't remember, but I posted a dream-poem in Freshtival at some point; I suppose I could have posted it here. It was about John Lennon and slippers, lol. I've looked back over the thread, observing that I've mentioned writing to Debussy's preludes. Here's another such poem. I'm afraid it bears very little relation to the music, lol; I was well into my Poet-in-Residence of Happenstance Border Morris at the time of writing, hence 'Mincombe', rather resembling 'Winchcombe'. And the made-up words, nonsense. I do like the sound of Great-Grandpa Gene, though. And also Fierce Frank! He'd be good on a night out :D Music: Debussy, Minstrels Minstrels Every Saturday morn by the River Isbourne there's a bit of a musical show as the sun climbs the sky swans come swimmering by and a briskery breeze starts to blow. With a squeezebox, a drum and a well-tempered hum Mincombe's Minstrels strike up a sound band they've melodeon too banjo, shawm, and kazoo tambourine for a shakering hand. They play all of the greats twos, fours, sixes, and eights and all manner of things in between crotchets, quavers, and all everybody's in thrall Baby Bella to Great-Grandpa Gene. Well, they tune to midday then they wander away on the path to The Thirsty Old Newt then the show's at an end they'll be back next weekend with Fierce Frank on the Fanciful Flute! 🦎 <-- newt (not really) |
Hi Fliss,
I like the meter and the portmanteaus - swimmering. Also this great line - "banjo, shawm, and kazoo" - and the closing rhyme, where I hear the Beatles Mr. Kite for some reason. Cheers, John |
Hi John,
Sorry I didn't get around to responding yesterday evening. I'd spent the afternoon in Winchcombe, seeing six guineas including the ever-delightful Mr. Patch. I felt very well rested afterwards and I drifted off to sleep much earlier than usual! Many thanks for enjoying the previous poem. I like that line too! As for 'Mr. Kite', well... I think I've mentioned I love the entire album. But that particular track might've found its way into one of the poems I wrote for NaPoWriMo last year. The prompt was 'a poem about curtains – at least eight lines, some of which contain internal rhymes.' Well, I was rather ill at the time, so I kept it little! I hope you like it :) [Untitled] My favourite feature of the curtains isn't shade or shape or fabric, colour, bunchy bits, sophisticated drape; it is the gripping, never slipping, objects on one side, the cheerful cling-on koala toys, in which I take most pride. The cling-on koalas might not find a place at Ideal Home, they're all quite old and faded and they're not made out of chrome, but how folks gasp to see them grasp the curtains in their paws; and frequently we celebrate the k's with wild applause! 🐨🐨 |
I too have a cling-on koala, so I know whereof you speak!
Nice song music here as always. Cheers, John |
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