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Very nice, Roger. And an excellent example of what I meant by verse that makes perfect sense on its own terms, which are themselves nonsensical.
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Ah, the swoop and the sea
of the bank and the brie and the pip on the page of the poor and the guttural goose of the lemma-go-loose and the coat on the back of the door With the weaselly sneeze of the knobkerrie knees as they hirple like holes in the head it shoogles and shakes with whatever it takes till it grows like a poem instead On the through and the thrill of the hole on the hill to the park in the pick of the pole and the harp and the hat of the bobblesome bat and the multimelodious mole. For the rough and the thick of the quire and the quick will betoken the broken before and the bibulous bend will return in the end to the coat on the back of the door. |
It's a winner whether it wins or not, Annie. Love it!
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Thank you, Mary. I'm chuffed you like it - and if the LitRev don't, who cares? Wheee!
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I've Seen You Before
I've seen you before in a painting of yore on the Rhone with that cone on a raft. You were humming a tune you'd picked up in Rangoon and it drove the poor woman daft. I've seen you before by that shimmering shore. You were spooning your soup in a sieve. You slurped like mad while a moon-faced lad sliced up your vice with a shiv. I've seen you before where the penguins yell: Fore! You were watching the weatherby sway. You danced the fandango while eating a mango and wept when they led you away. I'm sure you're the fella whose wild tarantella brought down the rafters in Nice they still tell the story it's stylish but gory of the dancer who just would not cease |
Now this is what I call a nonsense poem, and a very good one too. Bung it in, Lance, there are three hundred pounds which may well have you name on it. I wouldn't go to the stake for it but I think you may have misspelled tarantella.
At least I think Belloc spelt it otherwise. |
In reading - and writing - a lot of nonsense verse lately, I notice certain words come up over and again. Sieves, wardrobes and noses are three examples. Perhaps the influence of Lear and Carroll is to blame, but we seem almost always to be in a world of Victoriana where trivial domestic items are contrasted and conflated with fantasy lands that could as well represent the Empire. Computers and cars never get a look in.
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True, Adrian, although I managed to get a chainsaw into one of mine.
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I got a fork lift truck into my entry for this comp. But there's a wardrobe in there too, taking the sting out of it.
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I got cheese. You score extra points for cheese. It's called the Chesterton Gambit, as any fule kno.
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