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The world is overflowing with good music. Here's a miraculous rendition of "Hallelujah." As much as I like the scruffy original, Lucy Thomas's lovely voice elevates the song.
https://www.youtube.com/watch?v=4hjg...tart_radio =1 Nice job, Quincy. Claude McKay was the real deal. The Schubert fans can add me to their mix. Consider his last three sonatas, which deserve a place on the same shelf as LVB's last sonatas and the late quartets. Someone mentioned Muddy Waters, the king of Chicago blues, which to this day features drums, guitar, piano and harp. Music to dance to. EDM is good dancing music too. And good running music. And believe it or not, it is good music to study by. https://www.youtube.com/watch?v=gf0XseXsa2Q |
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Dig Ted Joans and “Jazz Is My Religion”: https://youtu.be/uc9yodZ29UE. I knew Ted a little in the eighties, but this is the first I’ve seen of the hipster in his heyday.
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So I had nothing, Sarah-Jane, when you first posted this -- but today I was reading Jim's "Big Ag..." poem over on Metrical, and one of my favorite songs came on. They are perfect together. The step-grandfather who raised me was an actual, bona fide cowboy, by the way. He rode for the King Ranch in Texas back in the day.
https://www.youtube.com/watch?v=CwgRQEO8iKA Don Edwards, Coyotes Coyotes Lyrics Was a cowboy I knew in south Texas His face was burnt deep by the sun Part history, part sage, part Mexican He was there when Pancho Villa was young And he'd tell you a tale of the old days When the country was wild all around Sit out under the stars of the Milky Way And listen while the coyotes howl They go, boo-yip, boo-yip, boo Boodi-boo-yip, boo-doo-yip, boo-doo Boo-yip, boo-yip, boo Boodi-boo-yip, boo-doo-yip, boo-doo Now the longhorns are gone And the drovers are gone The Comanches are gone And the outlaws are gone Geronimo's gone And Sam Bass is gone And the lion is gone And the red wolf is gone Well he cursed all the roads and the oilmen And he cursed the automobile Said, "This is no place for an hombre like I am In this new world of asphalt and steel." Then he'd look off someplace in the distance At something only he could see He'd say, "All that's left now of the old days: Those damned, old coyotes and me." And they go, boo-yip, boo-yip, boo Boodi-boo-yip, boo-doo-yip, boo-doo Boo-yip, boo-yip, boo Boodi-boo-yip, boo-doo-yip, boo-doo Now the longhorns are gone And the drovers are gone The Comanches are gone And the outlaws are gone Now Quantrill is gone Stand Watie is gone And the lion is gone And the red wolf is gone One morning, they searched his adobe He disappeared without even a word But that night, as the moon crossed the mountain One more coyote was heard |
Hi friends,
Here’s my contribution to this subject, although it may not be what was intended. The paper I wrote for Diana Senechal’s seminar on Setting Poetry to Music, which was a part of last October’s ALSCW conference at Yale, has now been published, both on Diana’s website and in Expansive Poetry Online. I’m posting the former, which has links to the latter (including some sound files of my music) and also includes some of the other papers from the same seminar. Enjoy! https://straightlabyrinth.info/conference.html OR, if that doesn’t work: https://straightlabyrinth.info/conference.html |
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