What is the best poem you've read lately?
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What poem got inside you lately? Here’s one I read this morning. (Thanks again to Cally Conan-Davies for shinning a light on his work.) ------------------------- Cause of Death: Fox News* Toward the end he sat on the back porch, sweeping his binoculars back and forth over the dry scrub-brush and arroyos, certain he saw Mexicans moving through the creosote and sage while the TV commentators in the living room, turned up loud enough for a deaf person to hear, kept pouring gasoline on his anxiety and rage. In the end he preferred to think about illegal aliens, about welfare moms and healthcare socialists, than about the uncomfortable sensation of the disease crawling through his tunnels in the night, crossing the river between his liver and his spleen. It was just his luck to be born in the historical period that would eventually be known as the twilight of the white male dinosaur, feeling weaker and more swollen every day, with the earth gradually looking more like hell and a strange smell rising from the kitchen sink. In the background those big male voices went on and on, turning the old crank about hard work and god, waving the flag and whipping the dread into a froth. Then one day my father had finished his surveillance, or it had finished him, and the cable-TV guy showed up at the house apologetically to take back the company equipment: the complicated black box with the dangling cord, and the gray rectangular remote control, like a little coffin. xxxxxxxxxxxxxxxxxxxxx--Tony Hoagland *For those unfamiliar with the American media landscape, Fox News is the antichrist : ) x x x |
Nice poem, Jim.
The best poem I read in the past week is probably Rimbaud's "Le Dormeur du val." He was sixteen. Here it is in French and English: https://www.frenchtoday.com/french-p...du-val-rimbaud Cheers, John |
My socks are still knocked off by the bastard poem that Jan Iwaszkiewicz posted to the Met Board on January 25.
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Other than rereading my drafts this morning, this one by Zaffar Kunial:
From Empty Words Meaning “homeland” — mulk (in Kashmir) — exactly how my son demands milk. • Full-rhyme with Jhelum, the river nearest his home — my father’s “realm.” • You can’t put a leaf between written and oral; that first A, or alif. • Letters. West to east Mum’s hand would write; Dad’s script goes east to west. Received. • Invader, to some — neither here, nor there, with me — our rhododendron. • Where migrating geese pause to sleep — somewhere, halfway is this pillow’s crease. • Now we separate for the first time, on our walk, at the kissing gate. • Old English “Deor” — an exile’s lament, the past’s dark, half-opened door. • Yes, I know. Empty. But there’s just something between the p and the t. • At home in Grasmere — thin mountain paths have me back, a boy in Kashmir. |
I'll second what Julie said. I was about to be in transit back to home and was feeling less than eager to do anything. Hell of a poem, Jan. But, as you tend to be the king of misery (so I naturally gravitate towards your work), I thought of one of the best titled poems ever, in the other direction. It's terrible that I can't recall the the poem (tho am a little familiar with his work and like it). Steve Mueske's "A Poem Without Sadness."
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. . The Last Word Creep into thy narrow bed,— Creep, and let no more be said! Vain thy onset! all stands fast. Thou thyself must break at last. Let the long contention cease! Geese are swans, and swans are geese. Let them have it how they will! Thou art tired; best be still. They out-talked thee, hissed thee, tore thee? Better men fared thus before thee; Fired their ringing shot and pass'd, Hotly charged—and sank at last. Charge once more, then, and be dumb! Let the victors, when they come, When the forts of folly fall, Find thy body by the wall! (Matthew Arnold) . . . |
I love how you put the question, Jim! "What poem got inside you lately?" Ha!
Well, this one got inside me, and funny, because it's about being got inside. Bone Scan |
Ah! Each post gives pleasure.
John, Wow to that Rimbaud poem. It is an impressionistic piece of literature. (I'm sure it's got it's own name in the same vein. It feels imagist. Something John Riley could write.) Such vividness. Julie, I had thought about stipulating only poetry other than what we see here on Eratosphere but thought again: why not? It is not altogether uncommon to read something here that floors me. Yes, I'm still barefoot, too, from Jan's bastard poem. Thanks for that Nemo. I coincidentally had seen that poem recently somewhere and so now it takes on added interest because it's following me : ) Walter, that's a fantastic play with words, thank you. James, That's an intriguing title. Funny thing is I googled it and came up with nothing -- zilch. That’s a rarity with google. It said, “Your search - Steve Mueske's "A Poem Without Sadness" - did not match any documents. A google dead end is rare. But in the process I did find this by Mueske and fell immediately in love with it: To All the Frogs who sleep in the mud, who cling to the trees and sing me to sleep each night: I confess a love for your instrument. Your throats fill like instant bellows with enough air for those profundo lows: quick clench of muscle that needs the whole body, the Baby,- I'm-Your-Man muscle, the muscle that coils all the way down to your toes. Then gone: a belching horn blast of a note that blows across the pond. I love to listen to your ethereal choir – your basses and altos, tenors and sopranos – through my window after making love, when you sing of all the world's loneliness, and I lie sweaty on the sheets, nerves jangling like a hotwired Yes. “I love that sound,” my wife says, her voice dreamy and slow; I listen to the flavor of the dark, its mosses, its mud and still water – the insects, the leaves breathing – as my body cools, and I feel the drowsy tendrils of sleep bring me down easy, so easy. (Steve Mueske) x x |
Been re-reading George Higgins book since he and Charlotte Innes are reading at the (re-)launch of Fourth Friday Formal in a couple of weeks. This is a pretty well-know poem of George's, but it is close to my heart -- closer each time I read it:
VILLANELLE (Spielberg visited an inner city school in response to a class of black students who had laughed inappropriately at a showing of his movie about the holocaust Schindler’s List.) When Steven spoke at Oakland High A custodian swept up the shattered glass, replaced the broken clocks to satisfy the Governor, who was preoccupied with becoming President, with covering his ass When Steven Spielberg spoke at Oakland High the District found diminishing supplies of disinfectant and toilet paper stashed away, so they replaced the clocks instead to satisfy the cameras and the press that they had rectified the deficiencies among the underclass. When Steven Spielberg spoke at Oakland High the students didn’t seem dissatisfied about the cover up, just happy to be out of class. The custodian replaced the broken clocks to satisfy this need we have to falsify the truth in subservience to cash. When Steven Spielberg came to Oakland High the custodian replaced the broken clocks. |
I was given a heads up, thanks Julie, James and Jim. Made my day.
Mine is this one by Les Murray. Non Aussies please persevere past the first couple of stanzas: An Absolutely Ordinary Rainbow The word goes round Repins, the murmur goes round Lorenzinis, at Tattersalls, men look up from sheets of numbers, the Stock Exchange scribblers forget the chalk in their hands and men with bread in their pockets leave the Greek Club: There's a fellow crying in Martin Place. They can't stop him. The traffic in George Street is banked up for half a mile and drained of motion. The crowds are edgy with talk and more crowds come hurrying. Many run in the back streets which minutes ago were busy main streets, pointing: There's a fellow weeping down there. No one can stop him. The man we surround, the man no one approaches simply weeps, and does not cover it, weeps not like a child, not like the wind, like a man and does not declaim it, nor beat his breast, nor even sob very loudly—yet the dignity of his weeping holds us back from his space, the hollow he makes about him in the midday light, in his pentagram of sorrow, and uniforms back in the crowd who tried to seize him stare out at him, and feel, with amazement, their minds longing for tears as children for a rainbow. Some will say, in the years to come, a halo or force stood around him. There is no such thing. Some will say they were shocked and would have stopped him but they will not have been there. The fiercest manhood, the toughest reserve, the slickest wit amongst us trembles with silence, and burns with unexpected judgements of peace. Some in the concourse scream who thought themselves happy. Only the smallest children and such as look out of Paradise come near him and sit at his feet, with dogs and dusty pigeons. Ridiculous, says a man near me, and stops his mouth with his hands, as if it uttered vomit— and I see a woman, shining, stretch her hand and shake as she receives the gift of weeping; as many as follow her also receive it and many weep for sheer acceptance, and more refuse to weep for fear of all acceptance, but the weeping man, like the earth, requires nothing, the man who weeps ignores us, and cries out of his writhen face and ordinary body not words, but grief, not messages, but sorrow, hard as the earth, sheer, present as the sea— and when he stops, he simply walks between us mopping his face with the dignity of one man who has wept, and now has finished weeping. Evading believers, he hurries off down Pitt Street. |
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