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And Sharpened is a Knife
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And Sharpened is a Knife The owl-light ebbed and from the mist an axeman came and stood beside the bed in which lay Jack and, crouching, spilt his blood. A sickle moon, all spectre pale, was slicing through the trees. An impish voice, like Spring, implored, "O, can I? Can I? Please." A vixen in the hedgerow sniffed the darkness on the wind. The axeman and his shadow left an empty patch behind. A garden path, and here a house illumined, full of life, where Jack is on a table set and sharpened is a knife. * Before the plough and palisade, beneath the Samhain sun, against the Ceaseless Trespass rang a dreadful malison: To scathe the Axe the dead may stir if they are given eyes and into them is carved a mouth and all their heart's excised. * The grey dawn talks of accidents and not of something worse – a pan forgot, a candle tipped; unspoken is the Curse that caused a riven grin to gape and then, with fire, exclaim as murdered Jack from Death returned to scream a scream of flame that lit the door, that raced the stairs, that danced across the thatch. A home become a sepulchre. The neighbours made to watch. * Before the Age of Stone and Iron, before the Knowing waned – the Warning Songs were plucked and sung. Their music scarce remains. Around the hearth, amidst the feast, the jangle and the rush, will Jack be waiting, with a smile, to burn a world to ash. _________________ S3 was As, trembling, a vixen sniffed the darkness on the wind, the axeman and his shadow left an empty patch behind. S7 was The grey dawn talks of accidents and not of fey amerce – a pan forgot, a candle tipped; unspoken is the Curse . |
Hi Richard,
If you'd asked me a minute ago if pumpkin-carving with your kid could be chilling and sublime, I'd have said no, but here we are. I liked the formal, old feel of this. Some minor nits I'll pick: - Most departures from true rhyme added to the authenticity. "Wind/behind" reminds me of S1 in Donne's "Go and catch a falling star." But "waned/remains" in S10 tripped me up. - I loved some turns of phrase like "sickle moon... slicing" and "riven grin," but a couple ones sounded awesome to my ear but didn't add meaning for me, like "Ceaseless Trespass" and "scathe the Axe." - I believe "amerce" is a verb, but at least in my reading, it gets used in S7 as a noun. I hope I'm wrong, because I like cool, weird words. - Some inversions fit with the old vibe like "sharpened is a knife," but I'm not sure about "will Jack be waiting" in S11. Maybe "there Jack will wait, and with a smile / he'll burn a world to ash." All in all, congrats on creating a creepy ballad with an authentic feel. Best, Taryn |
I just have to ask - are you intentionally referencing Dylan Thomas with "owl-light"?
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Hi, Richard—
This is lots of fun! You create a rich, medieval atmosphere into the simple act of carving a Jack-o-lantern. I had only two specific nits. 1. In S3L1, I can only get iambic tetrameter if I make “trembling” three syllables (which I am loath to do) or if I consider “As” as a headless iamb, (but even with a comma after it, it is still unstressed). 2. In S7-9, I can’t tell whether the Jack-o-lantern burned down the pumpkin carver’s house or if the N is merely describing the sort of payback that fairies wreak on those who disrespect nature. The word “sepulchre” might describe the cooled ruins of the burnt house, but “bonfire” or “bonefire” would more accurately describe the scene that the neighbors would be watching, and would also keep the slant rhyme with “stairs.” Glenn |
Hi Taryn.
didn't add meaning for me, like "Ceaseless Trespass" and "scathe the Axe." I needed a motive so settled on human's encroachment on nature (ceaseless trespass) and 'scathe' (to harm, etc) was used by Milton in the sense of scar/scorch (apparently.) - I believe "amerce" is a verb, but at least in my reading, it gets used in S7 as a noun. I hope I'm wrong, because I like cool, weird words. You're not. I was just seeing if I could get away with it. Changed. Hi Hilary. I just have to ask - are you intentionally referencing Dylan Thomas with "owl-light"? No, it's just an old word for evening that seemed to fit the mood I was after. Hi Glenn In S3L1, I can only get iambic tetrameter Well spotted. Thanks. Changed. RG. |
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Hi Hilary.
At least in America, it's not a common word, Not common here either (and I doubt it ever was.) and I got stuck on the association my brain made with Thomas's "Altarwise by Owl-Light" and couldn't move past that. These things happen. It might just be me. I trust you'll take no offence if I say I hope so. RG. |
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Hi Richard,
A rollicking ballad of revenge is this, a folk tale allegory of nature paying back. Maybe these are what we had before horror movies? I like that you've set the story and the choruses apart but I'm not sure the asterisks do the best job of it. Maybe indenting them? There are several things that I might change but probably not to the better. I do offer two ideas though for what they're worth: To scathe the Axe the dead may stir if they are given eyes and into them is carved a mouth and all their heart's excised. I don't fathom the apostrophe Around the hearth, amidst the feast, the jangle and the rush, [the hungers of the rash] will Jack be waiting, with a smile, to burn a world to ash. All the best, Jim _________________ |
Hi Hilary.
I only mention it because sometimes it's helpful to know of (possibly unwanted) associations that a word or phrase might have. I appreciate that, it's just that I'm rather at a loss to know what to do about it. How can one anticipate unwanted, or wanted, come to that, associations? And should one? Hi Jim. I don't fathom the apostrophe And all their heart is excised - but I see what you mean, it could easily be done away with. Thanks. the hungers of the rash Suggestion much appreciated. Always good to have something (else) to think about. Thanks both. RG. |
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