Well, the Drinkwater displays the talent of the Georgians--and the reasons it didn't come to much. They couldn't resist the lure of "pretty" words, trying to do their work with the automatic responses generated by stock vocabulary. It was lines like "When beauty's hour was overcast" [it doesn't mean anything at all; really it doesn't] Yeats had to learn to get past. Isn't it bad enough that kisses go to tombs without their having to be "unfathomably deep"?
The sonorous cadences are nice; they had good ears, which can't always be said of their successors, but it just wasn't enough.
RHE
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