[Orwn Acra]

Whiffling through Baudelairean hyperspace, the operaticos of Britian's Got Talent clearly show the oscillatory prowess of judges and moderators, plebeians and patricians. Called the "sludge of the bourgeoisie" by E. Zola and "Fabulous!" by Liberace, BGT is a kernel of utopia in the pan of proto-post-postmodernist society -- a stratum of entertainment that obviously harkens back to the halcyon days of vaudeville and kitsch whilst reflecting upon contemporary culture's own ironical stance and self-aware posturing. The three judges clearly represent the Holy Trinity and the Portinari Alterpiece triptych, thus rendering the television show aesthetically sublime. The audience interaction undoubtedly signifies the Bolshevik Revolution and alludes to Trotsky's hidden love of Stravinsky. For today, for tomorrow, forever: Britain's Got Talent.