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Unread 10-11-2012, 06:21 AM
Brian Allgar Brian Allgar is offline
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Join Date: Apr 2012
Location: Paris, France
Posts: 5,502
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Spartacus Chetwynd



Nominated for her solo exhibition at Sadie Coles HQ, London. Combining a broad spectrum of historical and cultural sources,

Chetwynd makes paintings, carnivalesque performances and sculptural installations utilising handmade costumes and sets. Chetwynd confuses the boundary between performer and spectator, creating an atmosphere of joyful improvisation. Tweet #SChetwynd
Performance runs from 12.00–17.00, every day
Artist Talk: Spartacus Chetwynd Wednesday 3 October
Luke Fowler

Luke Fowler, All Divided Selves 2011
Courtesy of the artist, The Modern Institute/Toby Webster Ltd, Glasgow and Galerie Gisela Capitain, Cologne
Photo
© John Haynes

Nominated for his solo exhibition at Inverleith House, Edinburgh, which showcased his new film exploring the life and work of Scottish psychiatrist, R.D. Laing. Fowler interweaves found footage and new material into accomplished and immersive films that evoke the atmosphere of a particular era, revealing how the relationship between individuals and society changes through time.
Tweet #LFowler
Luke Fowler All Divided Selves, duration 93min
Screening times:
10.30; 12.10; 13.50; 15.30
Additional screenings Fridays:
17.30; 19.30
Paul Noble

Paul Noble
Volume 3
2006–7
Courtesy Gagosian Gallery
© Paul Noble

Nominated for his solo exhibition at Gagosian Gallery, London, which brought together the painstakingly detailed and engrossing drawings of the fictional metropolis Nobson Newtown. Undercutting the precise, technical drawing is a dark satirical narrative which unfolds in the micro-cosmos of these monumental works.
Tweet #PNoble
Elizabeth Price

Elizabeth Price
still from The Woolworths Choir of 1979 2012
© Elizabeth Price 2012

Nominated for her solo exhibition at BALTIC, Centre for Contemporary Art, Gateshead, in which she presented a trilogy of video installations. Price reanimates existing archives of imagery, texts and music to explore our complex relationship to objects and consumer culture. Her carefully sequenced films guide us through immersive virtual spaces, derived from the cultural debris of the material world. Tweet #EPrice
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