I'm pretty much in agreement with Roger on this--too slow to get started. I did
understand the ending as Gail had, so that wasn't an issue for me, and I'm sure the
writer will say that being generic in the octet is the point, but it leaves me disappointed.
But perhaps this is because I just saw the film that one critic said "set the parameters
that came to make up film noir": Shanghai Express. Of course, Marlene Dietrich is never frail.
|