[Erik Olson]

Perhaps my favorite poet to be depressing is George Crabbe; as, for instance, he is in The Village. Far from romanticizing rural swains, his poem is the antithesis of the Idyll. A few excerpts.

The village life, and every care that reigns
O'er youthful peasants and declining swains;
What labour yields, and what, that labour past,
Age, in its hour of languor, finds at last;
What form the real picture of the poor,
Demand a song — The Muse can give no more ...

Ye gentle souls, who dream of rural ease,
Whom the smooth stream and smoother sonnet please;
Go! if the peaceful cot your praises share,
Go look within, and ask if peace be there:
If peace be his — that drooping weary sire,
Or their's, that offspring round their feeble fire;
Or her's, that matron pale, whose trembling hand
Turns on the wretched hearth th' expiring brand ...

Oft may you see him when he tends the sheep,
His winter charge, beneath the hillock, weep;
Oft hear him murmur to the winds that blow
O'er his white locks and bury them in snow;
When, roused by rage and muttering in the morn,
He mends the broken hedge with icy thorn.

"Why do I live, when I desire to be
At once from life and life's long labour free?
Like leaves in spring, the young are blown away,
Without the sorrows of a slow decay;
I, like yon withered leaf, remain behind,
Nipt by the frost, and shivering in the wind;
There it abides till younger buds come on,
As I, now all my fellow-swains are gone;
Then, from the rising generation thrust,
It falls, like me, unnoticed to the dust...

Thus, groan the old, till by disease oppressed,
They taste a final woe, and then they rest.

Theirs is yon house that holds the parish poor,
Whose walls of mud scarce bear the broken door;
There, where the putrid vapours flagging, play,
And the dull wheel hums doleful through the day;
There children dwell who know no parents' care;
Parents, who know no children's love, dwell there;
Heart-broken matrons on their joyless bed,
Forsaken wives and mothers never wed;
Dejected widows with unheeded tears,
And crippled age with more than childhood-fears;
The lame, the blind, and, far the happiest they!
The moping idiot and the madman gay.

Here too the sick their final doom receive,
Here brought, amid the scenes of grief, to grieve,
Where the loud groans from some sad chamber flow,
Mixed with the clamours of the crowd below;
Here sorrowing, they each kindred sorrow scan,
And the cold charities of man to man:
Whose laws indeed for ruined age provide,
And strong compulsion plucks the scrap from pride;
But still that scrap is bought with many a sigh,
And pride embitters what it can't deny.

Say ye, oppressed by some fantastic woes,
Some jarring nerve that baffles your repose;
Who press the downy couch, while slaves advance
With timid eye, to read the distant glance;
Who with sad prayers the weary doctor tease
To name the nameless ever-new disease;
Who with mock patience dire complaints endure,
Which real pain, and that alone can cure;
How would ye bear in real pain to lie,
Despised, neglected, left alone to die?
How would ye bear to draw your latest breath,
Where all that's wretched paves the way for death?

Such is that room which one rude beam divides,
And naked rafters form the sloping sides;
Where the vile bands that bind the thatch are seen,
And lath and mud is all that lie between;
Save one dull pane, that, coarsely patched, gives way
To the rude tempest, yet excludes the day:
Here, on a matted flock, with dust o'erspread,
The drooping wretch reclines his languid head;
For him no hand the cordial cup applies,
Or wipes the tear that stagnates in his eyes;
No friends with soft discourse his pain beguile,
Or promise hope till sickness wears a smile.

But soon a loud and hasty summons calls,
Shakes the thin roof, and echoes round the walls;
Anon, a figure enters, quaintly neat,
All pride and business, bustle and conceit;
With looks unaltered by these scenes of woe,
With speed that entering, speaks his haste to go;
He bids the gazing throng around him fly,
And carries fate and physic in his eye;
A potent quack, long versed in human ills,
Who first insults the victim whom he kills;
Whose murd'rous hand a drowsy bench protect,
And whose most tender mercy is neglect.