RACHMANINOFF ON THE MASS PIKE
It calls the heart, this music, to a place
more intimate than home, than self, that face
aging in the hall mirror. This is not
music to age by—no sprightly gavotte
or orderly pavane, counting each beat,
confining motion to the pointed feet
and sagely nodding head; not Chopin, wise
enough to keep some distance in his eyes
between perceiver and the thing perceived.
No, this is song that means to be believed,
that quite believes itself, each rising wave
of passionate crescendo, wise and brave.
The silly girl who lived inside my skin
once loved this music; its melodic din
was like the voice she dreamed in, sad, intense.
She didn’t know a thing, she had no sense;
she scorned—and needed—calendar and clock,
the rules, the steps, the lines, Sebastian Bach;
she wanted life to break her like a tide—
but not too painfully. On either side
the turnpike trundles by, nurseries, farms,
small towns with schools and markets in their arms,
small industry, green spaces now and then.
All the heart wants is to be called again.
By Rhina P. Espaillat
Thought of Rilke’s “Archaic Toros of Apollo” and Lowell’s “For the Union Dead,” but the above poem might not be as well known. Yet.
And, at this point, I don’t see another poem on a piece of music on this thread.
|