How nice to hear the word "logoaedic" again,
the first time in many years. Pappy Ransom
used the word in class, not infrequently, so
most Kenyon boys would recognize it.
I think Sam nodded on the Frost hendecasyllabic:
he must have been thinking of "For Once, Then,
Something" (which is certainly a companion piece
to "Neither Out Far nor In Deep" which is in
loose iambic trimeter, mostly loose---the last
stanza and five or six of other lines are strict).
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