In a sense I should recuse myself, primarily on the basis of my previously stated thinking that we should have a separate critique area for photography, which is utterly different from painting, drawing, music, dance, drama, and cinema. And from poetry.
That said, I don't know what is gained over a straightforward, especially black and white, photograph when you get into all the compu-futz. What you have shown us are truly horses of a different color. But why are they a different color? When Der Blaue Reiter painters picked their emblem and moniker, they were looking to a painting in which color defined a world in a way in which photography cannot. It wasn't a push-button definition.
Last edited by Rick Mullin; 02-10-2015 at 01:53 PM.
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