Quote:
Originally Posted by Aaron Novick
She plays a lot with formatting, with how the poem looks on the page, while also being deeply attuned to how the poem sounds. (She's adept with both meter and rhyme.) Concrete poetry that liquifies in the mouth.
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This is what I saw in "Bleeding," and that's absolutely up my alley in ways that a lot of poetry is not. It's an enticing combination.