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  #11  
Unread 05-30-2011, 11:53 AM
Susan McLean Susan McLean is offline
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I would not use the word "sarcasm" to describe the tone of this ballade. I pick up the fond amusement of someone who has studied the bird books and is both charmed and tickled by the specificity and oddness of the descriptions of bird calls. I like a poem that teaches me something I didn't know, particularly when it does so with such aplomb. The handling of the poetry is adept, and the content is anything but dry. But the title did not draw me in and I think a better one could be found.

Susan
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  #12  
Unread 05-30-2011, 12:43 PM
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Petra Norr Petra Norr is offline
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Phlipper:
I guess I can see your point about cricket & theatre. All those white costumes, yup (how do they keep them so clean?). But you'd never call English football theatre, would you?
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  #13  
Unread 05-30-2011, 12:54 PM
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Gail White Gail White is offline
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I just started reading the poems today. Not being a critic, I haven't left comments on every one, but just wanted to say how much I've enjoyed them all. You-all have more readers than you know.
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  #14  
Unread 05-30-2011, 01:18 PM
David Rosenthal David Rosenthal is offline
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Susan,

You're right -- "sarcasm" is quite what I meant.

David R.
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  #15  
Unread 05-30-2011, 01:37 PM
Julie Steiner Julie Steiner is offline
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Well, I'm silly enough to love this. Even if I am harboring murderous thoughts about the mockingbird that has been waking me up at 4:20am for some weeks now.

The direct address to a "Prince" in the envoi is traditional, but since the inspiration for this one came from a viscount, it might have been more fitting to downgrade just a bit.

YouTube has tons of birdsong videos. Here are links to a few of the chaffinch, if anyone's curious:

http://www.youtube.com/watch?v=XLq1U...eature=related
http://www.youtube.com/watch?v=8CAqkri075M&NR=1
http://www.youtube.com/watch?v=VbMkR...eature=related
http://www.youtube.com/watch?v=GVyW9t5wX3U
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  #16  
Unread 05-30-2011, 02:06 PM
Lance Levens Lance Levens is offline
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The author is ridiculing the Viscount and his fellow ornithophiles because--as Mary Ann points out--the basic comparison, vision to sound, suggests that only a synesthetic a la Roderick Usher could make sense of it. The versifying skill, nonetheless, is remarkable. Edward Lear.
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  #17  
Unread 05-30-2011, 02:58 PM
Michael Cantor Michael Cantor is offline
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Thanks for the bird calls, Julie. Having listened, I don't agree with Mr. Fowler. I think it's much more similar to a shortstop executing a bang-bang double play, approaching the bag with almost delicate steps, taking the second baseman's underhand toss, elevating to avoid the oncoming cleats while simultaneously pegging the ball to first - and then ending the play with a quick appraisal of the baserunner's mother's sexual appetites. Or possibly a northbound Woodlawn Express on the IRT line, screeching into the Fourteenth Street station.

Last edited by Michael Cantor; 05-30-2011 at 03:01 PM.
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  #18  
Unread 05-30-2011, 04:21 PM
Orwn Acra Orwn Acra is offline
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I could echo some of what Michael said -- maybe it's not spoof enough -- but I won't; it's a neat little piece in my favorite French form.
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  #19  
Unread 05-30-2011, 06:51 PM
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FOsen FOsen is offline
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Thanks to Philip for revealing a little of what eludes me in this poem. With all I don't know about birding, cricket and English patois, I feel as if large swathes of this are escaping - which doesn't mean I didn't enjoy it and appreciate the deft hand here. I do think more could be done with the synesthesia, describing the birdsong in purely visual terms, if that's what this is after.

Frank
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  #20  
Unread 05-30-2011, 07:48 PM
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John Whitworth John Whitworth is offline
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English patois, Frank? This is the language of God and all this angels.
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