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  #1  
Unread 01-17-2015, 11:47 AM
Sharon Passmore Sharon Passmore is offline
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Default Why poets smell like yaks

Now that the title got you in here.....

Recently there has been some discussion about the dismal ratio of views to comments in the art forum.

7 - 939
6 - 1,546 really?
4 - 943......

Let's have a little fun with this. I invite all the poet types around here to comment on some of these artworks as though they were poems.

Don't worry about the age of a thread, this forum is very slow, it won't be a bit of trouble for old threads to pop up again.

How about it?
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  #2  
Unread 01-19-2015, 10:36 AM
Sharon Passmore Sharon Passmore is offline
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What aspects of visual art can be likened to poetry?

Does a painting have meter? rhyme and off rhyme?

What about imagery in poetry? Visual art is all imagery so how can that be compared?

Can an image be compared to a type of poem, as though it were like a sonnet or a double dactyl or free verse?

Does the phrase "show don't tell" apply? I think it does but is it more difficult in visual media?
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  #3  
Unread 01-19-2015, 11:03 AM
Julie Steiner Julie Steiner is offline
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Okay, I'll play.

Quote:
Originally Posted by Sharon Passmore View Post
Does a painting have meter? rhyme and off rhyme?
I think The Conversation by Matisse does. The artist in his studio pajamas rhymes with the unyielding tree trunk. His wife-to-be rhymes with more yielding things--the tree's leafy canopy and the ponds.

Quote:
What about imagery in poetry? Visual art is all imagery so how can that be compared?
Well, in the painting above, there's a bit more than just imagery going on--the big ol' NON (French "no") spelled out in the ironwork is definitely a verbal aspect. But that's atypical.

I think compositional allusions might be one equivalent to poetry's use of imagery, in that they compare and contrast things in the work itself with things from other experience. Would Goya's The Third of May 1808 be as effective if it weren't evoking a crucifixion scene?
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  #4  
Unread 01-19-2015, 11:18 AM
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Ann Drysdale Ann Drysdale is offline
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I'll join in. Off to think about it.

In the past we've had one or two really good cross-over themes - remember the responses to each others' processes?

Let's hope this takes off.
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  #5  
Unread 01-19-2015, 01:52 PM
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John Whitworth John Whitworth is offline
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What Matisse says about painting applies to poetry or at least to mine. What does he say? I'll go and find it.

What I dream of is an art of balance, of purity and serenity devoid of troubling or depressing subject matter—a soothing, calming influence on the mind, rather like a good armchair which provides relaxation from physical fatigue.

Devoid, really, of any subject matter at all. That's the stuff!

A aintr fills his canvas with paint. A poet fills his page with words. It doesn't matter what they say so long as they are beautiful words. Or the right words if you like..
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Unread 01-19-2015, 02:34 PM
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Matisse ended up cutting out paper birds.
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Unread 01-19-2015, 02:44 PM
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And wonderful birds they were.Have you seen them? By then he was unable to paint.
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Unread 01-19-2015, 06:26 PM
Julie Steiner Julie Steiner is offline
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Sánchez Cotán's Quince, Cabbage, Melon, and Cucumber makes a sort of visual sonnet.

The suspended quince and suspended cabbage form the octave, and the melon, slice, and cucumber form the sestet...

or maybe the three roundish items form quatrains, and the elongated slice and cucumber create a couplet...

or maybe I'm just making this up as I go along.
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  #10  
Unread 01-20-2015, 10:27 AM
Julie Steiner Julie Steiner is offline
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Quote:
Originally Posted by Sharon Passmore View Post
Matisse is dead though. He is beyond the reach of comment deprivation.
He's also not going to complain that my comments about his work completely miss the point. But I'll give commenting on some of these a shot, in their own threads.
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