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    POETRY SYMPOSIUM

   
   

What? An Online Poetry Symposium?

   


Panelists: 
R. S. Gwynn, Rachel Hadas, Mark Jarman,
A. E. Stallings and Diane Thiel 

 
Moderator:  Alex Pepple

 

     

 

                      

        

             

   

                      

 


 

  

 

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West Chester

Poetics

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Welcome the Able Muse Online Poetry Symposium featuring a roundtable discussion on poetics and formalism by leading formalists.
 
The Panel members are:


R. S. Gwynn
Rachel Hadas
Mark Jarman
A. E. Stallings
Diane Thiel

And I (unobtrusively) moderate the discussions. Click on any of the above links for the corresponding panelist's bio and featured poetry.

There is really no sequence to the symposium topics discussed here, and readers may go through them in any order they choose. So, without further ado, The Online Poetry Symposium!
 
— Alex Pepple
 

 
Alex Pepple
 
1. Online publication and literature has its plusses and minuses, but it is here to stay and getting more and more entrenched into our culture to such an extent that most of our traditional paper journals now have some form of online presence. How much has this medium affected your reading and writing habits?

2. What is your impression of this online symposium, and where do you see online publishing headed, for better or worse?
 

 
Mark Jarman
 
Online publication hasn't changed my writing habits, but I do now read a number of online magazines, including The Cortland Review and The Atlantic Monthly's Audible Anthology. And I edit a page myself, called Poet of the Month, for PoetryNet. One thing we do not do at Poet of the Month is include recordings of the poet reading his or her poems. This is the feature of many online publications which makes them ideal for poetry.
 
 
Rachel Hadas
 
I think of online publication as ancillary to, NOT a substitution for, paper publication. The more media, the merrier; but I confess to not reading online pubs as regularly as Mark Jarman does, and also to being nonplussed, if gratified, when I receive email queries about poems of mine which students are studying and want help with. How do they find me? Wouldn't they do better to read more widely rather than lazily going straight to what they believe is the horse's mouth?

Still, online publication adds an ease and a new dimension.
  

 
A. E. Stallings
 
I am excited about the possibilities for poetry online. Strangely, one of the oldest arts turns out to be very compatible with one of the newest technologies—whereas sculpture, painting, theatre, even the novel, really are not.

I do not think it will replace the printed page—and especially not the book, which is an invention yet to be surpassed. Though I do wonder about the future of printed periodicals—I think increasingly periodicals will need a web presence to supplement their physical one.

Of course, in some ways it is easier to "publish" one's poems on the web. So there is going to be a lot of drek out there. And it will take time for certain sites to become widely recognized as having high standards, as being "prestigious" in the way print publications now are. Also, some poets may be uncomfortable with publishing in a medium that appears so ephemeral. Web publishing is still in a highly experimental stage, and it is hard to see where exactly it is headed. The web may prove better in the end for re-printing, anthologizing, and disseminating previously published work.

Indeed, ultimately I think web publications, to survive and thrive as such, will have to offer something their print counterparts can't—such as this virtual symposium. Poetry Daily is another good example. It is, as Rachel says, ancillary to the printed word. It offers a daily poem selected from print publications, so there is already a basic quality filter involved. Yet it's "dailiness" is precisely something a print publication would have difficulty reproducing.

On the other hand, I think it likely that, more and more, e-zines will want to publish occasional print anthologies of their selections, to partake of some of print's "permanence."

The web won't change the nature of poetry. But it may make it available to a wider audience.
 

 
Diane Thiel
 
I used to completely avoid the internet. Poetry Daily introduced me to the web’s possibilities last year. A poem of mine, “Twelve-Day Buddhist Silent Retreat,” appeared in The Hudson Review, and though many people read it there, when Poetry Daily selected it from the Hudson Review, I had a wealth of people contact me — old friends from college and grad school, etc. And when Mark selected me for Poet of the Month last April, my brother convinced me to set up a personal webpage as well — to have a place to post developments and such and to link to various sites (publisher, etc.) I have found it quite useful thus far and encourage others to do the same. Before 2000, I hardly ever set fingers on the internet, (I'm a poet who still writes everything by hand), but I am recognizing its possibilities. I certainly agree with Rachel — that online publication will not be a substitute for paper publication. I think readers of poetry, in particular, are usually the type to enjoy the feel of a book in the hand. On the other hand, I love the oral/aural possibilities that internet publication can provide.
 
 
R. S. Gwynn
 
I much prefer traditional methods of publication, but I can see the use of online publication as well. At this stage, though, I think it should be used to publicize work that's available in print elsewhere (as magazine websites and archives do).
 
 

 

        

 
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