Ned, I enjoyed these thoroughly--as I did the "At the Cathedral of Saint John the Divine" series you posted about earlier, which I saw only recently. As in that series, there is such musicality in these two poems, and this quality has a literal aptness in your "Bells." I just love the way you arrived at the rhyme scheme for that poem. It's of special interest to me because one time I wrote a poem (about three entities intertwining) of three-line stanzas with a rhyme scheme following the order in which strings are moved in forming a braid, ending at the same sequence in which they began--a similar concept. Most importantly in your poem, its scheme works on a visceral level, conveying the same sort of otherworldly orderly-yet-random feel that bell changes do.
And in "Chrysalis," you've shown how evocative, varied, and expansive a 28-line poem with all the same end words can be.
Btw, to my surprise, I saw that you were present at the
Cherry Tree launch reading the other night! I'm a Washington College alum and heard about it that way, but I hadn't expected to see people (you and Mary Meriam) that aren't alums (I checked
) there that I know of from the Sphere. I guess the journal must have a pretty wide reach; I myself only learned about it last week, but I guess that's what I get for not being a full-time literary person.