From
The Fortnightly Review:
"Three years ago, a renowned publisher of doorstopping anthologies weighed in on the topic of sweeping changes in American poetry. The editors claimed a ‘hybrid’ had been created by the blending of traditional and experimental forms. Has the argument succeeded? Is the ‘hybrid’ the beginning of a new species of American poetry? Or is it a literary mule? A double review of
American Hybrid by
Peter Riley and
Anthony Howell."
From Riley's review:
For all the vaunting of hybridity there is a clear contempt for “the traits associated with ‘conventional’ [why the scare-quotes?] poetry, such as coherence, linearity, formal clarity, narrative, firm closure, symbolic resonance, and stable voice.” (Introduction p.xxi). After 50 years’ involvement with British or any other radical poetry and its apologists you start to long for these things like a thirsty traveller in the desert.
Duncan