POETRY WORKSHOP COMMENTS: A short glossary
I'd like to hear that again = I was half asleep with boredom.
That's your best one yet = They're all rubbish.
I'm sure that should be published = You'll never find a publisher.
If you left out the first two and last two lines and reworked stanza four
= Scrap it.
Where did you get that idea? = Rubbish.
The language is so unusual in this poem = The language is grammatically
and syntactictically incomprehensible.
How many have you written in this sequence? =It's remarkably boring.
Did that actually happen? = What a sordid life you must lead.
You've captured the whole scene = It's overworded and prosy.
That's a prizewinner = But, no chance.
You're good at that kind of thing = None of us understand it.
That's very sad = You're so depressing.
Do you have any more like this? = Burn them.
You've obviously spent some time on that = You've killed the whole idea.
When did you write that one? = obviously one of your early efforts.
That's an unusual approach = It's totally unintelligible.
Your "voice" is really in that poem = Same old monotonous verbiage.
James Hall Thomson
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