Ahoy, all Sphereans knowledgeable about form
I can't figure out what form this is written in. Can anybody tell me?
I found it in "The Best of the Best American Poetry", Editor, Harold Bloom, Series Editor, David Lehman. It was first printed in Antaeus, a journal I greatly admired in my youth, now defunct, (both magazine and youth) and was later collected in "The Sunset Maker".
It may well be a variation on a form. Donald Justice often did that, took a form and changed it a little. But I can't figure out the basic form either.
Nostalgia of the Lakefronts
--Donald Justice
Cities burn behind us; the lake glitters.
A tall loudspeaker is announcing prizes;
Another, by the lake, the times of cruises.
Childhood, once vast with terrors and surprises,
Is fading to a landscape deep with distance—
And always the sad piano in the distance,
Faintly in the distance, a ghostly tinkling
(O indecipherable blurred harmonies)
Or some far horn repeating over water
Its high lost note, cut loose from all harmonies.
At such times, wakeful, a child will dream the world,
And this is the world we turn to from the world.
Or the two worlds come together and are one
On dark sweet afternoons of storm and of rain,
And stereopticons brought out and dusted,
Stacks of old Geographics, or through the rain,
A mad wet dash to the local movie palace
And the shriek, perhaps of Kane's white cockatoo.
(Would this have been summer, 1942?)
By June the city seems to grow neurotic.
But lakes are good all summer for reflection,
And ours is famed among painters for its blues,
Yet not entirely sad, upon reflection.
Why sad at all? Is their wish not unique—
To anthropomorphize the inanimate
With a love that masquerades as pure technique?
O art and the child are innocent together!
But landscapes grow abstract, like aging parents;
Soon now the war will shutter the grand hotels;
And we, when we come back, must come as parents.
There are no lanterns now strung between pines—
Only, like history, the stark bare northern pines.
And after a time the lakefront disappears
Into the stubborn verses of its exiles
Or a few gifted sketches of old piers.
It rains perhaps on the other side of the heart;
Then we remember, whether we would or no.
—Nostalgia comes with the smell of rain, you know.
Last edited by Janice D. Soderling; 02-21-2014 at 01:53 PM.
Reason: In the next to the last line, autocorrect had changed "no" to "not".
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