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  #1  
Unread 02-09-2009, 02:03 PM
peter richards's Avatar
peter richards peter richards is offline
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Personally, I boycott them all. Ha! So now they're sorry.
Oh.
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  #2  
Unread 02-09-2009, 02:23 PM
Mark Allinson Mark Allinson is offline
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I think of a workshop as a modern form of the traditional coterie group, where poets would circulate manuscripts of their work for the comments of other poets.

Sure, the workshop is a very large coterie, but the principle holds, I think.

And what Poetry seems to be saying is something like: "it has come to our attention that other poets have been shown your poem, and perhaps a few stray passers-by have seen it also. This appearance of your poem to a few hundred readers means that we can no longer share your work with our 60,000 regular readers."

Would passing the poem around an office also be considered "publication"?
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  #3  
Unread 02-09-2009, 02:54 PM
Jim Hayes Jim Hayes is offline
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Mr Wiman's memory is indeed an important proviso, I doubt he recalls his letter to me some three years and it's possible, I suppose, from the way his response was evidently phrased, my most recent effort never reached his desk. Non-the-less, the result stands for both of us, so felicitations indeed.

It would appear also that Wiley has cause to feel somewhat unfortunate
in so far as he was the recipient of contrary advise to that received by you.

Anyway, continued good luck to you, in your Whup-ass submissions, and just as important, I'm sure you will concede, to those of us persisting with Erato submissions now that we have clarification and precedence to quote.
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  #4  
Unread 02-09-2009, 03:10 PM
Tim Murphy Tim Murphy is offline
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Jamie,

Few submissions reach Wiman's desk. Wendy and Alicia and I went in cold. Cold called and cold cocked an editor. Aliki's poems weren't workshopped here, Wendy's probably weren't, but Tim's were. The POINT is, it doesn't matter. This is a great institution with a lot of money behind it. Can we quit whining?

Last edited by Tim Murphy; 02-09-2009 at 03:17 PM.
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  #5  
Unread 02-09-2009, 03:27 PM
Alex Pepple Alex Pepple is offline
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Quote:
Originally Posted by Jim Hayes View Post
and just as important, I'm sure you will concede, to those of us persisting with Erato submissions now that we have clarification and precedence to quote.
Jim, just remember to begin new poem posts protection code that has been confirmed to completely prevent Google indexing. That should prevent rejection in the future of Erato-workshopped poems based on Google searches.

Tim, thanks for taking the initiative to contact Poetry and getting clarification from them. Hopefully, they won't feel the need to apply their 'marginal' rule in the future as there'll be nothing to find.

Cheers,
...Alex
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  #6  
Unread 02-09-2009, 03:38 PM
Jim Hayes Jim Hayes is offline
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Thanks Alex, your efforts are very much appreciated,even if, as appears, somehat redundant.

I have no idea how (or why) you presume to speak for Wendy and Alicia Tim, but do appreciate your sharing with us the most effective means of getting "Chris's" attention.

Whining is a poor choice of word.

Last edited by Jim Hayes; 02-09-2009 at 03:56 PM.
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  #7  
Unread 02-09-2009, 03:39 PM
Philip Quinlan Philip Quinlan is offline
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Quote:
Originally Posted by Mark Allinson View Post
I think of a workshop as a modern form of the traditional coterie group, where poets would circulate manuscripts of their work for the comments of other poets.

Sure, the workshop is a very large coterie, but the principle holds, I think.

And what Poetry seems to be saying is something like: "it has come to our attention that other poets have been shown your poem, and perhaps a few stray passers-by have seen it also. This appearance of your poem to a few hundred readers means that we can no longer share your work with our 60,000 regular readers."

Would passing the poem around an office also be considered "publication"?
Had to quote the lot Mark.

There is a very similar (and misguided) principle in operation here to that which underlines the Data Protection Act (UK law). You can write what the hell you like on paper, and tell the most outrageous lies verbally, but woe betide you if you once commit any of that to an electronic medium.

There is always a kind of moral panic about the internet, email etc.

Philip

Or take copyright law. I could transcribe a poem by another author and send it to my 1000 friends (who meet as a fan club in a phone box every second Wednesday unless Hamilton Academicals are playing at home) and none shall say me nay.

I put the same poem on a website that only 10 people visited in the last year (6 of whom were robots programmed by the US military in their search for terrorists) and I'm busted. (Hypothetically - this has never happened to me. Except for the US military bit - very noticeable for their extraordinarily, astronomically high bandwidth).
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  #8  
Unread 02-09-2009, 04:11 PM
Susan McLean Susan McLean is offline
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Alex,
I tried using the noindex code you provided on my most recent posted poem on TDE. I could still Google it. Is there something I am doing wrong?

Susan
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  #9  
Unread 02-09-2009, 04:55 PM
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Mary Meriam Mary Meriam is offline
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Hi, Alex. Susan's post prompted me to do another Google search. This time, I got a response - it was search results from Eratosphere! I googled my name in quotes and the title of my poem in quotes (the one now in TDE with "rich" in the title).
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  #10  
Unread 02-09-2009, 05:20 PM
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Catherine Chandler Catherine Chandler is offline
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Alex,

Like Susan, I did the secure thing and can still Google my recent posting.

Cathy
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