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  #111  
Unread 04-08-2008, 10:15 AM
Janice D. Soderling's Avatar
Janice D. Soderling Janice D. Soderling is offline
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Except for the spelling of appoggiatura, this is typical of your bravura, Michael.
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  #112  
Unread 04-08-2008, 10:39 AM
Michael Cantor Michael Cantor is offline
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I always insert an error somewhere, Janis, since only God is perfect.

[This message has been edited by Michael Cantor (edited April 08, 2008).]
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  #113  
Unread 04-08-2008, 11:53 AM
Janice D. Soderling's Avatar
Janice D. Soderling Janice D. Soderling is offline
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I'm luvin' it!
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  #114  
Unread 04-09-2008, 08:04 PM
Janet Kenny Janet Kenny is offline
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Quote:
Originally posted by Michael Cantor:
For me, appogiatura
implies there was bravura
first - I'll slip in a caesura,
and sip some angostura
as it all becomes obscura
Michael, appoggiatura
two Gs— just means that you're a
leaner on obscurer
notes. Not saying you were.

(In Brit that almost rhymes.)
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  #115  
Unread 04-17-2008, 10:56 AM
Christy Reno Christy Reno is offline
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Totally my fault, Michael. I learned the proper spelling. I just don't know if it was before or after the post; a spelling error or a typo.

[This message has been edited by Christy Reno (edited April 17, 2008).]
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  #116  
Unread 05-06-2008, 12:24 AM
robert mezey robert mezey is offline
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David Landrum is free to admire (perhaps a little extravagantly) the "cunts / once" rhyme in the Kennedy
epigram, but it's not original with Kennedy. It appears
in a much better epigram by Robert Frost (possibly the greatest of all rhymers):

God fell in love but once,
Though with the best excuse.
He wasn't fond of cunts--
Not half so much as Zeus.


(Quoting from memory, so maybe slightly inaccurately)


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  #117  
Unread 05-06-2008, 03:53 AM
A. E. Stallings A. E. Stallings is offline
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Just skimming through this. In the recent Poetry, Carmine Starnino in his review of Kirsch's Modern Element says, "...I can't help but feel that the best explanation for his choices in Invasions is provided by Paul Valery, who said that the chief pleasure of rhyme is the rage it inspires in its opponents." Well, I love that... but I've been unable to locate the actual Valery quotation. Does anyone know it?
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  #118  
Unread 05-06-2008, 04:38 AM
Mark Allinson Mark Allinson is offline
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I can't find the Valery quotation either, but I did find a little bit more of it. In fact, I found this on a blog by someone also looking for the full quotation:

Although when I googled for it all that came up was this slightly different version: "Paul Valery said that one of the most mysterious things about rhyme 'is the rage it inspires in those who fail to see its function.'"

Failing to see the function of rhyme must be something like failing to see the function of blueness in the sky, I suppose.



[This message has been edited by Mark Allinson (edited May 06, 2008).]
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  #119  
Unread 05-06-2008, 05:07 AM
Clive Watkins Clive Watkins is offline
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Here it is…

“Not the least of the pleasures of rhyme is the rage it inspires in those poor people who think they know something more important than a convention. They hold the naïve belief that a thought can be more profound, more organic…than any mere convention.” (Italics in source)

from “A Poet’s Notebook” in Valéry, The Art of Poetry, tr. Folliot, D. New York: Pantheon Books, 1958: page 179 (“Calepin d’un poète” in Poèsie, essai sur la poétique et le poète, 1928)

Valéry has many, many wonderful and pregnant things to say about the writing of verse.

Clive
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  #120  
Unread 05-06-2008, 05:53 AM
A. E. Stallings A. E. Stallings is offline
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Thank you!
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