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  #11  
Unread 01-06-2011, 02:08 PM
Marcia Karp Marcia Karp is offline
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Dear Norman,
   I think that if you look, you'll see similar proffering of bona fides whenever there is something that makes people uncomfortable about criticizing. You'll find them now on a thread for a ballad on the Metrical board.
   Sometimes it is the writer who put others on the defensive and demands to know that some imaginary objectivity is in place; sometimes it comes from the others themselves.
   It seems to me the same sorts of discussions happen in the larger world when charged subjects are involved. It may be unfortunate, though you have told the world about an aspect of your sexual responses as if it were pertinent. Maybe it is. Maybe certain discomforts are eased in this way. I do think you are, though, too narrow in coming to your grand conclusion and may have squandered your confession of discomfort.

Best,
Marcia
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  #12  
Unread 01-06-2011, 02:28 PM
John Riley John Riley is offline
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Lance,

Is "I knew a girl from Nantucket" free verse?

John
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  #13  
Unread 01-06-2011, 02:45 PM
Roger Slater Roger Slater is offline
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It's pre-emptive, Norman. The author of a sexually explicit poem often accuses negative critics of being prudes, so the critic needs to establish his or her credentials for ribaldry in order to have standing to say the poem is horrible.
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  #14  
Unread 01-06-2011, 02:56 PM
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Maryann Corbett Maryann Corbett is offline
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At least some of these discomforts are avoided if the poet writes "Content warning" in the subject line, which establishes that one reads with some understanding of what one will meet.
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  #15  
Unread 01-06-2011, 03:30 PM
Jan D. Hodge Jan D. Hodge is offline
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Lance wrote: "I see the decline of reserve connected closely to the rise of free verse. Reserve fit the metric poet like a glove. The constraint of feeling his way along the accentual topography went a long way towards keeping his more exuberant or downright formless feelings in check."

Ever read Rochester?? This is a rather dubious conflation . . . "Dirty" ditties (in meter, no less) have a long and distinguished history, among them dozens by, e.g., Robert Burns. You might also check out Ed McCurdy's splendid recordings of ribald songs from the Renaissance, "When Knighthood Was in Flower."
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  #16  
Unread 01-06-2011, 04:23 PM
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David Landrum David Landrum is offline
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Rochester, yes--especially "Saint James Park" and "A Satire on Charles II." But also Martial, Catallus, Dante, Chaucer.

dwl
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  #17  
Unread 01-06-2011, 05:42 PM
Roger Slater Roger Slater is offline
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Not to mention Benny Hill.
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  #18  
Unread 01-06-2011, 06:06 PM
Cally Conan-Davies Cally Conan-Davies is offline
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I think Norman is in part referring to a thread - can't remember which now - where I mentioned, "that said" (I don't think I really said that!) Rochester is my great great great (don't know the exact accumulation of greatness) grandfather. What can I say? It's just...true! I love knowing that he's behind me, or front of me, in some way! I think he's great!

By the way, I want to come back as a bonobo.

Cally
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  #19  
Unread 01-06-2011, 06:32 PM
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Richard Meyer Richard Meyer is offline
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Quote:
Originally Posted by Cally Conan-Davies View Post
By the way, I want to come back as a bonobo.
Cally, that's an excellent choice for reincarnation! Many years ago I saw a TV program about the bonobo chimps and their sexual practices. After watching the film, I just had to have a cigarette and glass of wine.

Richard
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  #20  
Unread 01-06-2011, 07:15 PM
Michael Cantor Michael Cantor is offline
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Be careful what you wish for, Cally. Bonobos don't weep.
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