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  #11  
Unread 05-13-2014, 04:52 PM
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Maryann Corbett Maryann Corbett is offline
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Yes, great stuff. My number one also.
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  #12  
Unread 05-13-2014, 05:11 PM
Mary McLean Mary McLean is offline
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My favourite too. The sentiment seems kind of familiar, but setting it at a concrete moment in time - and such a moment - gives it real weight. And the description draws us into that moment, without drawing undo attention to itself. The harpoon image is striking and memorable but the poem accommodates it comfortably.
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  #13  
Unread 05-13-2014, 05:20 PM
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Eileen Cleary Eileen Cleary is offline
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Yes. This is well done.
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  #14  
Unread 05-13-2014, 05:24 PM
Christine Whittemore Christine Whittemore is offline
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I don't like "bold decisions, grand designs" and have some reservations abt "plastique." But I love the ending; and think this is very well done.
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  #15  
Unread 05-13-2014, 06:16 PM
Jean L. Kreiling Jean L. Kreiling is offline
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I'd like to do a little punctuation surgery on this, and I might tweak a line or two, but it's a fine sonnet that goes beyond the initial paradox--already poignant---to ask a particularly thoughtful question and then conclude with an incisive image.

jlk
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  #16  
Unread 05-13-2014, 06:18 PM
Simon Hunt Simon Hunt is offline
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Are we stopping at 10? I always wish they'd go on longer... This is the clear winner for me, and it seems to me they got better day-by-day. I wonder if the TSDG did that on purpose...
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  #17  
Unread 05-13-2014, 06:34 PM
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Gail White Gail White is offline
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I just reread R.S. Gwynn's sonnet "Dogswatch", which makes a nice comparison with this one. I hardly know which I like better.

(However, my answer to the poet's question would have to be NO -- I certainly would not enjoy the moonlight if I knew I was going to be blown up in 10 minutes.)
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  #18  
Unread 05-13-2014, 06:51 PM
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R. Nemo Hill R. Nemo Hill is offline
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Killer ending.

Nemo
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  #19  
Unread 05-13-2014, 07:29 PM
Susan McLean Susan McLean is offline
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Gail, you made me laugh. Yes, I think we all can agree that we wouldn't be able to enjoy the beauty of the night in the same way if we knew we'd be blown apart in a few minutes. It's a beautifully put-together sonnet, so I don't think it spoils it for most readers to have that pragmatic answer to the question lingering in the background. L4-5 was the only place where I noticed an awkwardness of syntax and punctuation. The moonlight as harpoon is a particularly nice metaphor.

Susan
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  #20  
Unread 05-13-2014, 08:06 PM
Michael Cantor Michael Cantor is offline
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I thought of Sam's poem also. This one is as good. Not a single rhyme or line seems forced - it all just slides together wonderfully, tells a story, has a turn - does it all. This is the way sonnets work when they work well. My choice.
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