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  #11  
Unread 11-02-2004, 03:23 PM
eaf's Avatar
eaf eaf is offline
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The RAM doesn't appear to work on my computer. Do you have a link or something? I would like to hear it...

-eaf
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  #12  
Unread 11-03-2004, 12:06 PM
Katy Evans-Bush Katy Evans-Bush is offline
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Oh, I have no idea. The mp3 was on a CD given me by a friend, and the .ram file came off the internet. I have no idea from where, I was Googling sound files one evening for about three hours. But if I found it you probably can too... Sorry!

KEB
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  #13  
Unread 11-12-2004, 07:47 PM
Robt_Ward Robt_Ward is offline
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Hah, I missed this. He's one of my all-time favorites; I have dozens of R's poems to heart. And of course I'm regulalry accused of channeling him, though in my defense I wrote "like Roethke" before I ever encountered his work...

His "A Far Fielf", way too long to reproduce here, is available online and magnificent; especially the part beginning "A man faced with his own immensity..." Lines like "His spirit moves like monumental wind / that gentles on a sunny, blue plateau" and "odor of basswood on a mountain slope / (a scent beloved of bees)" and "a ripple widening from a single stone / winding around the waters of the world." are simply stunning to me, they are so pure.

In a poem beginning "Was I too glib about eternal things..." he finishes with the couplet "I feel the autumn fail; all that slow fire / denied in me, who has denied desire." Is this not to die for?

I do not understand why Roethke is not ranked at the very top of great American poets. I'd put him ahead of Stevens, for example.

(robt)
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  #14  
Unread 11-12-2004, 08:11 PM
Steven Schroeder Steven Schroeder is offline
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Here are a couple of my favorites by Roethke. I don't think that either is considered among his major poems, but I love the feel and sound of them anyway.


Child on Top of a Greenhouse

The wind billowing out the seat of my britches,
My feet crackling splinters of glass and dried putty,
The half-grown chrysanthemums staring up like accusers,
Up through the streaked glass, flashing with sunlight,
A few white clouds all rushing eastward,
A line of elms plunging and tossing like horses,
And everyone, everyone pointing up and shouting!

1948
--

The Waking

I strolled across
An open field;
The sun was out;
Heat was happy.

This way! This way!
The wren's throat shimmered,
Either to other,
The blossoms sang.

The stones sang,
The little ones did,
And flowers jumped
Like small goats.

A ragged fringe
Of daisies waved;
I wasn't alone
In a grove of apples.

Far in the wood
A nestling sighed;
The dew loosened
Its morning smells.

I came where the river
Ran over stones:
My ears knew
An early joy.

And all the waters
Of all the streams
Sang in my veins
That summer day.

1948

Note: Roethke also has a much more famous poem with the same title as this one.

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  #15  
Unread 11-12-2004, 08:14 PM
Janet Kenny Janet Kenny is offline
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Robert
(Let's pretend this isn't "metaphysical" poetry

The Far Field

I

I dream of journeys repeatedly:
Of flying like a bat deep into a narrowing tunnel
Of driving alone, without luggage, out a long peninsula,
The road lined with snow-laden second growth,
A fine dry snow ticking the windshield,
Alternate snow and sleet, no on-coming traffic,
And no lights behind, in the blurred side-mirror,
The road changing from glazed tarface to a rubble of stone,
Ending at last in a hopeless sand-rut,
Where the car stalls,
Churning in a snowdrift
Until the headlights darken.

II

At the field's end, in the corner missed by the mower,
Where the turf drops off into a grass-hidden culvert,
Haunt of the cat-bird, nesting-place of the field-mouse,
Not too far away from the ever-changing flower-dump,
Among the tin cans, tires, rusted pipes, broken machinery, --
One learned of the eternal;
And in the shrunken face of a dead rat, eaten by rain and ground-beetles
(I found in lying among the rubble of an old coal bin)
And the tom-cat, caught near the pheasant-run,
Its entrails strewn over the half-grown flowers,
Blasted to death by the night watchman.


I suffered for young birds, for young rabbits caught in the mower,
My grief was not excessive.
For to come upon warblers in early May
Was to forget time and death:
How they filled the oriole's elm, a twittering restless cloud, all one morning,
And I watched and watched till my eyes blurred from the bird shapes, --
Cape May, Blackburnian, Cerulean, --
Moving, elusive as fish, fearless,
Hanging, bunched like young fruit, bending the end branches,
Still for a moment,
Then pitching away in half-flight,
Lighter than finches,
While the wrens bickered and sang in the half-green hedgerows,
And the flicker drummed from his dead tree in the chicken-yard.


-- Or to lie naked in sand,
In the silted shallows of a slow river,
Fingering a shell,
Thinking:
Once I was something like this, mindless,
Or perhaps with another mind, less peculiar;
Or to sink down to the hips in a mossy quagmire;
Or, with skinny knees, to sit astride a wet log,
Believing:
I'll return again,
As a snake or a raucous bird,
Or, with luck, as a lion.


I learned not to fear infinity,
The far field, the windy cliffs of forever,
The dying of time in the white light of tomorrow,
The wheel turning away from itself,
The sprawl of the wave,
The on-coming water.


III

The river turns on itself,
The tree retreats into its own shadow.
I feel a weightless change, a moving forward
As of water quickening before a narrowing channel
When banks converge, and the wide river whitens;
Or when two rivers combine, the blue glacial torrent
And the yellowish-green from the mountainy upland, --
At first a swift rippling between rocks,
Then a long running over flat stones
Before descending to the alluvial plane,
To the clay banks, and the wild grapes hanging from the elmtrees.
The slightly trembling water
Dropping a fine yellow silt where the sun stays;
And the crabs bask near the edge,
The weedy edge, alive with small snakes and bloodsuckers, --
I have come to a still, but not a deep center,
A point outside the glittering current;
My eyes stare at the bottom of a river,
At the irregular stones, iridescent sandgrains,
My mind moves in more than one place,
In a country half-land, half-water.

I am renewed by death, thought of my death,
The dry scent of a dying garden in September,
The wind fanning the ash of a low fire.
What I love is near at hand,
Always, in earth and air.

IV

The lost self changes,
Turning toward the sea,
A sea-shape turning around, --
An old man with his feet before the fire,
In robes of green, in garments of adieu.
A man faced with his own immensity
Wakes all the waves, all their loose wandering fire.
The murmur of the absolute, the why
Of being born falls on his naked ears.
His spirit moves like monumental wind
That gentles on a sunny blue plateau.
He is the end of things, the final man.

All finite things reveal infinitude:
The mountain with its singular bright shade
Like the blue shine on freshly frozen snow,
The after-light upon ice-burdened pines;
Odor of basswood on a mountain-slope,
A scent beloved of bees;
Silence of water above a sunken tree :
The pure serene of memory in one man, --
A ripple widening from a single stone
Winding around the waters of the world.



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  #16  
Unread 11-12-2004, 09:08 PM
Janet Kenny Janet Kenny is offline
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Stephen
Both terrific.
I love that Waking. I only knew the villanelle. Here:


The Waking


I wake to sleep, and take my waking slow.
I feel my fate in what I cannot fear.
I learn by going where I have to go.

We think by feeling. What is there to know?
I hear my being dance from ear to ear.
I wake to sleep, and take my waking slow.

Of those so close beside me, which are you?
God bless the Ground! I shall walk softly there,
And learn by going where I have to go.

Light takes the Tree; but who can tell us how?
The lowly worm climbs up a winding stair;
I wake to sleep, and take my waking slow.

Great Nature has another thing to do
To you and me, so take the lively air,
And, lovely, learn by going where to go.

This shaking keeps me steady. I should know.
What falls away is always. And is near.
I wake to sleep, and take my waking slow.
I learn by going where I have to go.



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