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  #11  
Unread 06-22-2009, 08:59 AM
Gregory Dowling Gregory Dowling is offline
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Here's a poem by Frost (mentioned by Jill above) which makes highly effective use of chiasmus:

Spring Pools

These pools that, though in forests, still reflect
The total sky almost without defect,
And like the flowers beside them, chill and shiver,
Will like the flowers beside them soon be gone,
And yet not out by any brook or river,
But up by roots to bring dark foliage on.

The trees that have it in their pent-up buds
To darken nature and be summer woods -
Let them think twice before they use their powers
To blot out and drink up and sweep away
These flowery waters and these watery flowers
From snow that melted only yesterday.
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  #12  
Unread 06-22-2009, 06:26 PM
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FOsen FOsen is offline
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I wish I could use the famous Dorothy Parker excuse: I'm too f--ing busy, and vice versa!

Frank
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  #13  
Unread 06-23-2009, 12:58 PM
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John Whitworth John Whitworth is offline
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Jan D Hodge, Dylan Thomas is supposed tohave written a hundred line poem that rhymes the same way as your 17th/18th century chap. No much point to it really. One might try a sonnet abcdefggfedcba. I shall think about that.
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  #14  
Unread 06-23-2009, 02:05 PM
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Gail White Gail White is offline
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Mary quoted one of my favorite bits of Tennyson. When I read that opening verse, I wonder why I bother to go on trying.

Of course, the goldfish in the font make for an interesting baptism.
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  #15  
Unread 06-23-2009, 02:09 PM
David Anthony David Anthony is offline
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Jan, that is a beautiful and moving poem, and the form sets it off to perfection.
Best,
David
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  #16  
Unread 06-23-2009, 04:22 PM
Roger Slater Roger Slater is offline
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Quote:
Originally Posted by John Whitworth View Post
Jan D Hodge, Dylan Thomas is supposed tohave written a hundred line poem that rhymes the same way as your 17th/18th century chap. No much point to it really. One might try a sonnet abcdefggfedcba. I shall think about that.
Actually, 102 lines. You can hear the rhyme in the middle, where farms/arms meet. I think Dylan Thomas admitted that there was no real point for the reader, although he felt there was a point for the poet. I agree it's pointless, but I still thought it was neat when I first read it many years ago. Here's the poem:
http://www.cs.rice.edu/~ssiyer/minstrels/poems/14.html
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  #17  
Unread 06-23-2009, 06:10 PM
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Mary Meriam Mary Meriam is offline
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Quote:
Originally Posted by Roger Slater View Post
You can hear the rhyme in the middle, where farms/arms meet.
Half a minute ago - before I saw this!!! - I used the rhyme farms/arms in a poem. WEIRD!
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